Rosie Sheehy

June 2016. In their first ever European Championships, Wales march through to the semi-finals. For a girl gang in small-town South Wales, the line between patriotism and xenophobia becomes blurred.

A mad world of mad kings, teetering on the brink of disaster Richard the Lionheart is dead. His brother John is King of England. Threatened from all sides by Europe, the English noblemen and even his own family, King John will stop at nothing to keep hold of his crown. Shakespeare’s rarely performed tale of a nation in turmoil vibrates with modern resonance in this vivid new production by Director Eleanor Rhode in her debut at the RSC.

Young Richard of Gloucester uses the chaos of the Wars of the Roses to begin his unscrupulous climb to power in this classic Shakespearean history of a king in the throes of jealousy and murder. Despite being manifestly unfit to govern, he overcomes each obstacle in his way to seize the crown, as King Richard III. But as those around him turn against him, and as his plans begin to unravel, where else can he turn as the Lancastrian opposition returns to drag the country into battle once more and put an end to Richard’s tyrannical rule. Richard III is a savagely comic analysis of the exercise of power, reminding us of the dangers of tyranny and our duty not to let it go unchecked.

Low-born Helena is convinced that she and the high-born Bertram are meant to be. Bertram does not, so he runs off to fight in the Italian wars with his "#bff" Parolles, where he meets Diana. The lopsided love triangle all comes crashing down when the two women meet and devise a diabolical plan.

The true story of one of the worst man-made catastrophes in history: the catastrophic nuclear accident at Chernobyl. A tale of the brave men and women who sacrificed to save Europe from unimaginable disaster.

U.S. police chief Bill Hixon lands in the British town of Boston, Lincolnshire, with his 14-year-old daughter Kelsey in tow hoping they can flee their painful recent past. But this unfamiliar, unimpressed community will force Bill to question everything about himself and leave him asking whether it's Boston that needs Bill, or Bill that needs Boston?

Drama following the lives of a group of midwives working in the poverty-stricken East End of London during the 1950s, based on the best-selling memoirs of Jennifer Worth.