Yrjö Parjanne

Hei kliffaa hei

Set during the Second World War in the Finnish war zone.

Second silver screen adaption of the Finnish war book by Väinö Linna. The story is based on Linna's experiences as an infantry man in the Finnish army during the so called "Continuation War" (1941-1944).

Uuno is forced to complete his mandatory military service when it is revealed that he only spent one day in the army in his youth. As is typical of the Turhapuro series his family and friends become closely tied in with these events. His friends Härski Hartikainen and Sörsselssön return to the army for a refresher course and by chance Uuno's father-in-law, Councillor Tuura is made the Finnish Defence Minister. In one of the most memorable scenes, Uuno's wife, Elisabeth, dresses as Uuno and substitutes him for a day as Uuno has an apparently urgent meeting (at a restaurant) and while becoming lost in the woods with a malfunctioning radio, Tuura accidentally declares war on Sweden.

Uuno Turhapuro is searching for a job and takes a correspondence course in tour guiding. Eventually he gets a job in a small travel agency and takes a group of Finnish tourists to Marbella, Spain. Unfortunately Uuno's father-in-law Tuura is in the group, too, with his wife and daughter, Uuno's wife Elisabet. Tuura tries to get a signature to an important paper from a minister who's having a holiday in the area. Meanwhile, Uuno just relaxes and enjoys the sun.

Uuno Turhapuro reads guide books to learn how to be an orchestra conductor and a secret agent. Meanwhile, his father in law hatches a complicated scheme to finally get rid of Uuno.

Uuno's father-in-law councillor Tuura moves to the country with his wife and daughter Elisabeth. Uuno joins them when it turns out Tuura's mansion is on the construction site of a new road. Tuura however is set on preventing this.

Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.

Seven stories of women. Occasionally intersecting with each other in everyday situations. Parallel episodes of hope and abandonment, addiction and infidelity, but also friendship and trust.

The farmer now has found a wife.

The story of a man raised in a boy's home and prison who doesn't conform to the rules and discipline of the military.

Vääpeli Sadon tapaus

Natalia

Kuoleman hellä kosketus

Sujut

Kaverille ei jätetä

Maailma on valmis

Yhdeksän Miehen Saappaat

An amnesiac uncovering horrifying secrets about his life.