Enid Gregory, a pianist at the Melody Shop, a music store on Broadway, is content with her snappy, routine existence until Janet Fenwick, a society girl whose father committed suicide under a cloud of financial disgrace, comes to Enid's boardinghouse.
Italian potter Tony adopts an Italian waif, little Tony, and takes him from New York to the West to realize a long-held dream of owning a ranch.
Rangy Pete Grainger is a cowboy who saves a rancher and his daughter from being kicked off their property by the ubiquitous evil landlord.
A vaudeville and nightclub performer becomes successful and forgets who his friends really are.
Jean and Marise, young lovers forced from their homes, flee to Paris. Irrevocably separated there, their lives deviate into the slums and hard labor of low-class French society. All the while, the two desperately search for one another.
Joe Ryan, a veteran train engineer, is demoted to a flagman position after a disastrous crash-- one caused by his cowardly and opportunistic partner. Though Ryan's failing eyesight is named as the cause of the crash, he's undeterred as he designs an automatic braking invention.
A sequel of sorts, the Jewish ethnic comedy characters of Potash and Perlmutter return from their 1923 debut film, also produced by Goldwyn, but with a different actor for Potash.
An orphan boy wins a prize for his drawing.
The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
Lummox is a 1930 American Pre-Code sound film directed by Herbert Brenon, released through United Artists, and based on a 1923 novel by Fannie Hurst. The story of Bertha, a young immigrant woman who cleans the homes of the rich and is largely ignored by them, except for a young poet who considers her a muse.
In 17th century France, young D'Artagnan wants to join the King's Musketeers, but instead befriends three legendary musketeers—Athos, Porthos, and Aramis—and together, they become embroiled in the political intrigue surrounding King Louis XIII and his adversaries, particularly the powerful Cardinal Richelieu.
Cullen Landis starred in this silent Western melodrama about a prizefighter accused of cowardice who toughens up on a Western ranch.
Mazie, a shop-girl of New York City's Little Ireland, goes to the aid of a young man in formal attire involved in a street fight. Though badly beaten, he bears a strong resemblance to Lord Lytton, the hero of a magazine story Mazie is reading in installments. Although he is, in reality, a soda clerk, Mazie permits his attentions, and together they read the "Sloppy Stories" yarn about English nobility.
After several amusing gags, including one in which a tough character seems to be holding up the pawnshop but is only selling his gun, Abie sees Kitty Dolan, whose father is running for alderman, and it is love at first sight. A rival candidate makes trouble and plants a bomb in the shop but Abie turns the tables on him. Election day finds Dolan's followers too lazy to vote. Abie stirs them up by offering to lick them and then running to the polling place with the mob at his heels. Dolan wins and so does Abie.
"Matches Mary" has sold matches on the streets of New York for many years and nobody knows her real identity. The truth is that Mary's young son had been kidnapped many years ago and she donned ragged attire while searching for the man, whom she knew, who did it. Years later day she meets him on the street and demands to know about her son, now grown to manhood. The man, now calling himself Foster, escapes but Mary track him to his home. Foster's nephew comes in and announces that he has gotten married while in college. Foster is furious and threatens violence. That night he is found murdered and Peter is accused of the crime, and is put on trial. Mary testifies she was the one who murdered Foster. She is about to be sentenced when a detective brings in a confession from two burglars who admit killing Foster. Peter asks Mary who she is and she replies she is just "somebody's mother." Later, an old friend and a lawyer bring evidence that reunites Mary with her lost son, Peter.
