Iulian Necșulescu

The great King of Dacia, Decebal (Decebalus), is disposed to make the ultimate sacrifice in order to keep the integrity of his people. His own son, Cotyso, is given to the god Zamolxis to the dismay of the King and his daughter Meda. Septimius Severus, a young Roman devoted to his adopted country, must make the choice between his blood origins and the culture he was introduced to.

The life of Dacian war-leader Burebista who ruled between 80-44 B.C.and founded a strong Dacian Kingdom despite considerable pressure from the neighboring Celtic warlords and the Greek cities of the Black Sea coast.

A communist prefect saves the day, saves the night, saves the building and the people. A communist prefect saves the day, saves the night, saves the building and the people.

A young engineer arrives for a short time in Bucharest, where he reconnects with the girl that he loves since college. They get married, and she sacrifices her career to follow him to a big project away.

Two Romanian soldiers manage to escape from a camp in Tatra mountains, Czechoslovakia.

Professor Cristian conducts research on a citostatic. He is still dealing though with the unjust condemning he suffered in the 50s. Some of the people around him try to bring him down with same type of accusations.

In WWI a group of Romanian soldiers from Transylvania desert the german army and consitute a resistance commando group.

In a poverty stricken village in 1947 Moldavia, the obsession for getting rich of Prisac turns the community against him. Based on "La Răzeși" (Yeomans) novel by Valeriu Emil Galan.

A Romanian architect who married abroad reunites with his birthplace, with those he met, with the women he loved, with the echoes of what happened once, with the great transformations that are taking place in the Capitol, on construction sites and in Romanian villages. Condemned by an incurable disease, but also overwhelmed by these realities and by the irrepressible longing for his homeland, the hero decides to return home for good.

Rumania's entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia's revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.