Oleg Vidov — one of the Soviet Union's most beloved actors — was persecuted, blacklisted and pushed to the breaking point before escaping to the West and achieving the American dream.
Afterbirth: The Evolution of 'Species'
Numero Bruno is a warts and all biography of widely popular actor, musician and counter-cultural hero Bruno Lawrence. Lawrence's intense, charismatic screen presence was key to ground-breaking Kiwi films, Smash Palace, The Quiet Earth and Utu. Directed by Steve La Hood, this documentary features interviews with family and friends, and liberal excerpts from Lawrence's film and musical work, including performances by 70s alternative Aotearoa icons Blerta and clips showcasing his seminal collaborations with Geoff Murphy.
Director Roger Donaldson's 1977 movie of CK Stead novel Smith's Dream helped spark a new wave of Kiwi cinema. Getting there was a cash-strapped, bare-knuckle ride. In this documentary cast and crew recall a communal film set that was "constantly on the go" as they pulled together drama, car chases, and gun battles using mainly ingenuity.
Documentary on the making of 'Dante's Peak' (1997).
Director Geoff Steven's personal perspective on the Kiwi cinema renaissance of the 1970s. It traces the development of the local film industry from the ‘she'll be right' days when filming permits were unknown, and all that was needed to get a picture up were a Bolex camera, enthusiasm and ingenuity.
An intimate, soul-baring new documentary covering the life and 40+ year career of actor and poet Michael Madsen, from troubled youth to film star, told through interviews with colleagues, friends, family members and the American Badass himself. Featuring Quentin Tarantino, John Travolta, Charlie Sheen, Ron Perlman, Daryl Hannah, and many, many more.
This Kaleidoscope documentary timed in with the release of Nicholas Reid’s book A Decade of New Zealand Cinema. The book cherrypicked Reid's favourites from the renaissance in local movies that began with Sleeping Dogs in 1977. Reid and a who’s who of local filmmakers discuss many of the 50+ features from the previous decade (with Bruno Lawrence ever present). They ponder the uniqueness (or otherwise) of Kiwi film. A fondness for rural and small town settings, and forceful, often conflicted, male leads is explored. Neglected areas — Māori film and more of a voice for women — are traversed.
