Carlo Radebe

Set in South Africa's rural Great-Karoo region in the 1950s, this epic existential-adventure film chronicles the exploits of the outlaw John Kepe and the various individuals his escapades affected. This Robin-Hoodesque figure would steal primarily livestock from the white settler farmers, terrorizing them for over a decade. Led by the hardliner General Botha, a mammoth manhunt ensues in the very mountain where Kepe was rumored to occupy a Noah's Ark like cave. This spectacle ingratiated Kepe in the hearts of the marginalized indigenous-population, who turn Kepe's miscreant deeds into the stuff of legend, making him a threat to the very fabric of the colonial society. Sew the Winter to my Skin is a thrilling, operatic ride into the heart of Pre-Apartheid South Africa and is a visceral exploration of the effects of the colonial displacement that sewed the seeds for one of the most viciously racist, political regimes in history.

It's a jungle out there. That's how we meet our lead character Jack. It's been five years since he's seen his partner and best friend Twala. Jack did five years for a robbery gone bad. Twala never got caught and Jack never talked. But Twala is as treacherous as Jack is honourable. He's married Jack's former fiancée. Jack wants to go legit but after being rejected for a loan he needs a new source of capital. Twala presents him with an opportunity a job with a R2 million take. The complication is that the mark is Twala's father. Jacks partner for the job is the tough and sexy Olive. Little does he know she will prove to be more devious then his old friend.

“Pusha Pressa Phanda” is a dissection of freedom. Taking place in one day, the film follows street youth Mandisa as she struggles to obtain medication and sanitary pads for her sister who is under her care. Faced with numerous obstacles along the way, Mandisa represents the struggle inherently facing women in their relentless pursuit for survival.