Sandra Santiago

Rory MacNeil, a rugged old Scotsman, reluctantly leaves his beloved isolated Hebridean island and travels to San Francisco to seek medical treatment. Moving in with his estranged son, Rory sees his life transformed through a newly found bond with his baby grandson.

Life changed for Alejandro Reis - Alex - in just a few brief moments when he discovers that he is not an American citizen. His parents brought him across the Mexican border when he was just months old. Flora Hendricks, on the other hand is born in Missouri. She decides to run away from home. Alex finds himself deported to Mexico On a seeming parallel track, Flora is arrested for shoplifting. And put in the same deportation bus with Alex. Once on Mexican soil Alex and Flora find out quickly that they are way out of their depth. They learn quickly that Tijuana and most of the other border towns are ultra violent places that are overrun by dangerous, warring criminal factions.

When she’s deported to México, Claudia must choose between reconciling with her estranged father or partnering with a dangerous smuggler to return to the U.S.

“Farah,” a bread seller, walks the streets of a Middle Eastern town, while an American military vehicle, surrounded by soldiers, slowly passes by. A moment’s silence. Then, a devastating explosion. Civilians are bloodied, wounded. The horrors of war. “Farah” looks around aghast and wailing. But nothing here is quite what it seems. In fact, “Farah” is a character played by an aspiring actress called Laila. And this isn’t Iraq, but a replica village erected on the Fort Irwin army base in California, used to train American troops before being sent abroad. Laila believes her acting talents are being wasted away in this arid simulation, where female role-players are limited to mute, background roles. She takes things much more seriously. Laila plots her way out.