Matyáš Řezníček

Two siblings set sail as a crew on a yacht on the Aegean Sea. Circumstances soon change when a young documentary filmmaker comes aboard.

Evžen lives a bohemian life in Prague. An unexpected trip back to his homeland Switzerland confronts him with the smuggled crocodile Karlchen, his father’s sustained delusion and the grotesque charm of the bourgeoisie.

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

Divadlo ve filmu: Maryša

After years together, Petr and Hana, partners in work and in life, share their unspoken erotic fantasies. What begins as an innocent conversation gradually turns into curious experimentation with a non-monogamous approach to their relationship. But sexual freedom tastes differently for each of them. Without resorting to exploitation, Tomasz Wiński’s feature debut considers questions that are taboo for many couples. Borders of Love explores not only various forms of intimacy but also ways of depicting it on the big screen, since, among others, the protagonists themselves film each other on their mobile phones. Appearing in the main roles are Matyáš Řezníček and Hana Vagnerová, who collaborated on the film’s story and script as well.

Based on the true story of brothers Josef and Ctirad Mašín who, in 1953, tried to escape communist Czechoslovakia to join the US army in West Berlin.

Story of two brothers whose cinematic fate intersects with real events surrounding a group of correspondents of the international editorial office of Czechoslovak Radio in the period 1967-1968. The prototypes for the film characters were real members of the then Editorial Board of International Life, headed by Milan Weiner.

Manon Lescaut

A compromising record can change history. Will you sacrifice your family for your country?