Katsuhiro Higo

High school student Shun Takahata is bored. Bored with the day-to-day monotony of school and life, he prays for change, for something exciting. Suddenly, he and his classmates are forced to play deadly children's games and facing terrifying creatures from a talking Daruma doll to a sharp-clawed lucky cat.

Mizuho takes over a restaurant in Nago, Okinawa, which was left to her by her grandmother. She single-handedly runs “Gajimaru Diner”, named after the large, deeply-rooted Gajimaru (banyan) tree in the area. Eventually, circumstances lead to her being brought together with an unknown traveler named Hayato, her ex-boyfriend Shota who returns after living in Tokyo for the past seven years, and a woman named Riko who shares something with both of them. As they work at the diner together, their relationships reveal themselves differently than what they had in mind.

We Love Television?

志村けんとドリフの大爆笑物語

Teran Plains' village was attacked by a giant starving Gerold, and the village's youngster, Peck, sought Toriko for help. But lying ahead in wait is something much more ferocious and hideous than just a Gerold.

"Where there is light, shadows lurk and fear reigns. But by the blade of Knights, Mankind was given hope." The Makai fight a secret war against the demon forces known as Horrors, evil creatures that manifest themselves through darkness to devour Humanity. On the frontlines are the Makai Knights, given the task of watching over a district and eliminating any Horrors that manifest there. GARO follows the tales of the Knights bearing the title of ‘Golden Knight Garo’, and their duty to vanquish the Horrors and protect Humanity from the darkness.

Oomae Haruko is an A+ Temp worker who never cracks a smile or minces words, and leaves work on the dot. But her cynical nature indicates she has something painful to hide. Satonaka Kensuke has just been promoted to head S&F's new Marketing Division. Saddled with a rag-tag group of subordinates, he is struggling to lift his division off the ground. When Oomae is placed in Kensuke's department, she finds herself doing more work than she's ever done before. This is a timely drama that examines the different attitudes toward temp workers and regular employees, and the ways to overcome frictions in interpersonal relationships. This follows an October report on labor conditions by the Labor Ministry, which showed that, after regulations were relaxed, the proportion of regular employees to Temps had doubled compared to that of eight years ago.

志村屋です。

Returning to its roots, Ken Shimura's classic comedy sketches will be revived, with each episode taking place in a different setting, such as a doctor's office, a park, a police box, an interrogation room, and a train. Of course, well-known characters such as Hen na Ojisan (Weird Uncle) and Grandma Hitomi will make appearances. In addition, the program will also include a location corner where the members will go out of the studio and visit all over Japan to meet local people and introduce their hometown pride!

オールドルーキー

警視庁強行犯係・樋口顕

The First Investigative Division is the star unit of the Tokyo Metropolitan Police Department. Jun'ichi Ōiwa, the head of the division, leads around 400 elite detectives. He has an extremely heavy responsibility: attends initial investigations at the scenes of all brutal crimes that occur within the metropolis, decides on the course of action of the investigations at the same time as he directs many investigation task forces and gets into investigations himself at the critical phase. However, Ōiwa is definitely not a superman. Amid his suffering, Ōiwa overcomes this grave responsibility and is quite simply a "life-size hero" and "ideal boss" to his subordinates.

天才てれびくん

Kishibe Midori (Ikeda Elaiza), an editor for a popular fashion magazine, finds herself transferring to the lexicography division following the magazine's discontinuation. The place is filled with a group of quirky characters, led by Majime Mitsuya (Noda Yojiro), a boss with a shaggy hair who is extremely serious. While being tossed about by them, Midori is influenced by their patience and passion for making a dictionary which takes over a decade, and she gradually immerses herself in the work. This drama depicts their struggles in creating and finalizing the dictionary, "The Great Passage."

くるり～誰が私と恋をした？～