Patricio Saavedra

Andrés Ortíz is a precocious filmmaker and director of short films but at the same time is the worst student of his school he has reprobated twice and is going for the third time. His parents turn their backs on him and so do his best friends. At the same time his teachers will want to take advantage of his situation by blackmail him in the most twisted ways.

Street tough Zamir has been in love with Kim ever since he rescued her from rapists, but the only way that he can express his affection is to attack any man who shows interest in her. Kim tolerates Zamir's infatuation, but keeps him at arm's length. When Max Kalba arrives in town to take vengeance on Kim's father, Zamir attempts to rescue her once again.

Gustavo Ortíz is a university student from a comfortable, middle class family who is forced to spend his summer vacation cleaning pools when his parents are struck down with financial problems. Ever the optimist, Gustavo soon realizes that his new job provides the perfect excuse to get closer to the girl of his dreams - his neighbor and former classmate, Nicole Ivanov.

Mauro, Noel and Broco have been an inseparable group of friends since grade school. All grown up, their lives are not what they hoped they would be. Life has become so routine that they do nothing more than wait for the weekends to drink themselves into oblivion. One night, a chance encounter leads the group on a wild and deadly chase from Santiago's most dangerous crime boss... Forced to make increasingly risky decisions, their frantic, adrenaline fueled desperation brings them closer to a violent, life-changing end where the friendship will be changed forever.

Fiction written, directed and starring Hernán Castellano, mythologized as one of the missing links in Chilean horror cinema. A mixture of folk horror and satire, the plot presents an alien vampire who, traveling through the galaxy, lands in his grave in Santiago, Chile. Its subtitle of "Escenita Criolla" reflects the character of its modest production and nods to socio-cultural elements of the country. After the coup d'état, the 16 mm copy was buried in the courtyard of the house of one of the actors, and was later finished by Castellano in 1990 in the United States.