Elisabeth Canning

West Side Story meets Rumble in the Bronx meets A Clockwork Orange. Bizarre tale of London, a lonely teen yearning for affection and a leather jacket who lives in a dysfunctional family home where the mother keeps popping and sexually playing with her other child, X-Ray, a member of a gang of Mods who are constantly at war with a gang of Asian Bikers. Amidst this turmoil, London and her soul mate M16 search for meaning in a phantasmagoria without it.

“We're a bunch of spoiled teenagers with nothing better to do than sit around and talk meaningless shit. Let's face it. All we'll be doing for the next 75 minutes is smoking, drinking wine and complaining about not having anything to do.”

Todd Verow’s long lost first feature shot on a PXL Fisher Price kid’s video camera (which recorded black and white, high contrast, pixalated video on audio cassette tapes) captures a group of San Francisco 20-something models, drag queens, musicians and artists in the early 1990’s. It was Verow’s reaction to working on the first season of MTV’s Real World that spurned him to create PREEN, something just a bit more real.