Aineias Tsamatis

The acclaimed Greek director returns with a bittersweet story about the need for human contact. Two men are hired to keep watch on a home in Athens, where a room is illegally built. They will meet many passers-by, some of whom are in fact building inspectors attempting to catch them in the act.

Τwo sisters from the island of Andros, dubbed Little England because of its affluence, are both in love with the same man. Set in the Greek Civil War period and ending in the 1950s, the movie is based on the homonymous novel by Ioanna Karystiani.

The everyday life of a man locked down in a house takes imaginary turns. In times of isolation and deprivation, his mind leaps to the elusive, while he is restrained inside the four walls of his house.

A story that takes place in an empty Athens in August, during a 12-hour period, from 6 p.m to 6 a.m. Three friends, Phevos, Andreas and Savvas, stay up all night walking around the streets of Exarchia, for what is their last night before they leave Athens for good and move to Berlin, just like they had agreed one year ago. During the evening, however, hidden aspects of their personalities are gradually revealed and they will face the most violent manifestation of power which will change their plans forever.

On a terrace with the view of the concrete buildings, a plane tree and a little bit from Lycabettus mountain, two young people are flirting with the sense of love. Persistence, fear, and the view of the city will keep them together even for a few minutes. In order to understand what they really want, these few minutes are enough.

A lawyer, who represents the German government against the Greek reparation claims for Nazi crimes in World War II, travels to Greece and meets one of the remaining survivors of the Kalavryta massacre that took place in 1943.

The execution of 200 Greek resistance fighters by the German occupiers on May 1st, 1944 in Kaisariani, as reprisal for the Greek Resistance ambush against Nazis.

A sexist violence incident fires tension in Danai's friendship with Ilona and Toufa. Torn between theory and practice, the three friends realize that patriarchy won't die with bottles (only), and they now have marks to prove it.

The performance is over, the actors step off the stage, the audience leaves the theater. However,in this case, the end marks the beginning. Eleven spectators star in their own tales, intertwined in a collage crafted by life itself. Restaurant and movie theater owners, immigrants and tourists, regulars and passers-by interact with the urban entourage and the people they come across, weaving a mosaic of endless possibilities.

A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.

After a devastating fire, three women try to rebuild their lives and pursue their true desires.