Rafael Gomes

A modern villa in the dry Portuguese summer landscape. The sun scorching bright high in the sky, four well-built bodies - three male, one female - hanging out by the pool, on the porch, in the bedrooms. All seem to be waiting for something, or as it soon turns out - someone. Scene by scene we are revealed the complex interpersonal relations and the most important, the relation of all the characters with the one who is being waited for. Who is that mythical person and what will happen when he finally arrives?

From a certain idea of Rousseauian rural purity, “Colmeal” is settled in the small homonymous village located in Riba-Côa, also known as ghost village, due to the effects of the rural exodus and the inland desertification. In an allegorical way, quite worked on the natural elements and the sound elements, the film tells the story of a young man who lives isolated and who obsessed by a woman who comes from the city to spend her summer vacation. Gradually, the young man tries to overcome the inability to deal with his emotions, seeking to discover himself, emotionally and sexually. Márcio Laranjeira and Sérgio Brás d’Almeida are debutants in Curtas Vila do Conde and propose a return to the themes of growing pains and transition to adulthood, with young people trying to find their place in the world and to define their personality, especially in context of social and loving relationships.

Idling afternoons, drugs, heartbreaks, psychedelic moods immersed in music. An adrenaline rush. Lisbon as the backdrop for a drifting youth.

Sombras Brancas

Maria Miguel, a young, optimistic 21-year-old girl that lost her mother to cancer three years ago and has never met her father, is forced to struggle daily to make a living in a local pizzeria in order to pay a debt. Her life changes dramatically when a wealthy family takes her to live into their house after a bike accident which saved the family's children.

A historical fiction series that, from the biographies and cultural and civic intervention of the poet Natalia Correia, the editor Snu Abecassis and the journalist Vera Lagoa (pseudonym of Maria Armanda Falcão), recalls the last years of the Estado Novo (Second Republic) - 1961 to 1973 - from the beginning of the colonial War to the eve of the April Revolution.

Solteira e Boa Rapariga

The Good Girls Club is a drama series that follows the capital's night, where sensuality and sex mix with politics, security, business and glamour, and which will accompany the story of 3 characters: the security guard, the owner and the new girl.

Within a peculiar family drama, Inês finds peace in pain. While getting evicted by her landlord and dealing with her grandfather’s loneliness and dementia, she finds comfort in the imaginary figure of her deceased father.