Moti Shirin

An American Actress with a penchant for lying is forceably recruited by Mosad, the Israeli intelligence agency to trap a Palestinian bomber, by pretending to be the girlfriend of his dead brother.

An American ambassador to Israel tries to bring peace to the Middle East conflict through unconventional methods, but his efforts are hampered at every turn and his personal life threatened.

Two corrupt IDF officers who resale lands in the West Bank put pressure on a Palestinian family man.

It articulates the essence of one's internal exile through the portrait of a Jewish-German refugee who arrived in Israel on the eve of World War II, started a family – but has nevertheless, yet to feel at home in his new country. He remains connected to Berlin with every fiber of his being; the city’s culture, its essence, and as far as he’s concerned, Israel is no more than a pit stop. He gradually pulls away from his wife, his son who does not get him, his sisters who are haunted by the past, and the rental flat where he’s lived all these years. He sets up shop in a budget hotel by the Tel Aviv seaside, hangs out with a group of fringe misfits, and dreams of moving back to Berlin.

Yaky Yosha's 1982 Israeli drama Kvish Lelo Motza (aka Dead End Street) observes the trials and travails of a young prostitute named Alice (Anat Atzmon) who is thrust into jail alongside her pimp and hustler boyfriend. In desperation, Alice devises a scheme to save both of them: she will take the steps necessary to free herself, then set about raising the money to save her beau. However, she fails to anticipate the arrival of a documentary crew comprised of husband and wife Yoram (Yehoram Gaon) and Miri (Gila Almagor), who insist on filming her as she undergoes rehabilitation; when Yoram begins to fall hard for Alice, it draws the ire and chagrin of Miri, who begins to seethe with jealousy.