Toms Auniņš

Northern Europe. 13th century. Last pagan settlement near the Baltic Sea. The evil and cynical warrior crusader Max von Buxhoveden is trying to destroy the pagan beliefs of the people by spreading lies and fostering dissent. Old king of the last free pagan lands is on his deathbed and without an heir to take his place. Max wants to take over the throne and reign over old king’s tribe. Unexpectedly, with his dying breath the King passes on his ring to his nephew Namejs. The youngster, who grew up amongst pagan priests and studied ancient wisdoms, now has to defend his people. Will he be able to unravel the secret of the Ring and gain its power?

A year has passed since the turbulent events of the 1905 revolution. The secret police has almost eradicated the network of social democratic fighters. Only one group continues fighting and a bold assault on a factory cash desk is being planned. A low ranking fighter Grey is assigned to lead the operation. Meanwhile, Grey starts an affair with a young poetess Violet and gets to know the flamboy-ant crowd of decadent artists and writers. Inspired by Violet Grey takes a look at revolution from a different perspective. Meanwhile Violet gradually gets involved in the dangerous world of revolutionary fighters. November 1906 in Riga is still remembered as a month of crazy bohemia and violent terror.

Three young men head to an isolated country house to shoot a film that they hope will bring them fame. They have no experience, but possess the will to change their lives. They make various attempts, but none seem to work. The team comes to a creative impasse, but the stakes are too high to give up. In hopes of drawing out their talents, they spend more and more time chipping away at each other. Previously hidden character traits come to light further complicating their relationship and the making of the film. Soon it's each man for himself. Just when the experiment seems utterly failed, one of them is discovered dead. It's not clear whether it's accidental, suicide or murder, but a real body in the scene satisfies - this could be the start of The Film.

This creative documentary tells the story of women in art – what she has to sacrifice in her personal life and what choices have to be made in order to gain success in her career. The film explores life of artist, by following theatre director’s Mara Kimele's fighting relationships with her despotic grandmother Anna Lacis (widely known as Asya, whose life is closely tied to the names of Walter Benjamin and Bertolt Brech), cynical son Peteris (who is played by an actor) and work while she stages F. Dostoevsky's “Crime and Punishment”. Every character of film is an act. But does that make them any less real? And what is real in the world of art? Apart from its human character's, the film also has an animated one – the horse, who came into life through the first letter Mara wrote to her grand mother and has been following her ever since.

13 stories about love set in the capital of Latvia.

Brothers Robert and Martin are a month away from their largest art exhibition. To get creative juices flowing, Martin locks himself in a black cube. Once out, brothers fall into a wild rollercoaster of events existing on the very edge of the chaos, examining the thin line between the artist’s creativity and mental troubles.

While the whole world is overwhelmed by revolutions of different shades, the leading tandem of the Small Theater - Ivars and Armands is working on a new historical play set in 18th century France called ‘Revolution’. A week before the premiere the favorite of audiences and critics Armands receives a tempting offer to pursue his career at the Grand Theater. Betrayed by his best friend, Ivars gradually loses touch with reality. Themes of the play ‘Revolution’ starts to intertwine with Ivars personal life until he becomes unable to distinguish truth from fiction and that brings the Small Theater closer to an inevitable catastrophe - the act of terrorism at the evening of the premiere.

Ralf, 35, is saving his relationship by taking his girlfriend’s son on a boat trip with an aim to establish himself as a father figure. Not a wildlife expert himself, he also takes on board his office buddy, and it soon becomes clear that this unpredictable, flamboyant womaniser is a world away from being an example to look up to. As Ralf tries to protect the boy from his friend's unsophisticated look on gender and sexuality, soon they are confronted with the realities of the sharp winding river and the roughness of Latvian nature.

In this allegory about paradise lost, Ildze yearns to find peace and fulfilment by moving from the city to the countryside. However, her thoughts are consumed by the illness of her child, her estrangement from her husband and his absence. In the meantime, Ildze’s grief is enveloped by nature’s promise of comfort, which never arrives. She tries to understand where to find the beginning of the cycle of sacrifice and where to find its end. And who is her victim, or is it herself?

Psychotherapist Robert is very happy being a bachelor, as relationships scare him. He spends his days in his private practice, listening to his clients and wondering whether or not mental health"bugs" are something that always needs fixing.