Jean Tinguely

Filmic portrait of Niki de Saint Phalle's HON, a temporary indoor sculpture installation for the Moderna Museet of Stockholm.

Filmed in the 1970s with the art critic Otto Hahn, this film is the only visual document which brings together the thirteen Nouveaux Réalistes who participated in the artistic movement created by critic Pierre Restany in 1960 and including the text of the declaration collective was signed by Yves Klein in nine copies. Each of the artists appropriates a piece of land from the civilization of waste: from Arman the accumulations, from César the compressions of scrap metal, from Jean Tinguely the rusty machines, from Ramond Hains the torn posters.

In the sixties the painter and sculptor Niki de Saint Phalle started her career with shooting paintings, reliefs that were fired at with paint bags. She became famous and popular for her Nanas, colorful sculptures of big and cheerful women, and for the cooperation with Jean Tinguely. The frame of this film is a tour through her tarot garden in Tuscany.

"In this heady, phantasmagoric fairy tale, a young girl comes face to face with a friendly dragon and a magnanimous witch. Upon the witch granting the girl’s wish to become a young woman, this surrealist chronicle follows the precocious Camélia on a series of quests in pursuit of love. Niki de Saint Phalle’s sophomore film revels in the sexual decadence that defined the 1970s zeitgeist, showcasing scenes of debauched harems and totemic worship of phallic sculptures. An astounding piece of directorial bravery, UN RÊVE PLUS LONG QUE LA NUIT confirms Saint Phalle’s wicked yet earnest pleasure in excavating the underlying perversions at play within the romantic quiet of fairy tales." - Anthology Film Archives

Documentary about Jean Tinguely and his work.

Homage to Robert Breer’s film, 'Homage to Jean Tinguely’s Homage to New York.' A non-linear diaristic collage film documenting a year living in New York City.

Investigating Tinguely’s working methods, his art, and his inspiration, this film records the artist at work over a ten-year period and documents the design and construction of his monumental sculpture, Le Cyclop. — Anthology Film Archives

Documentation of an exhibition entitled Le Mouvement held in Paris in 1955, co-curated by Breer and Pontus Hulten. Features works and appearances by Breer, Tinguely, Agam, Soto, and others. — Anthology Film Archives

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