Jean-Benoît Terral

Raised to believe in performance and in the idea that all abilities must be optimized, Emma is a young, methodical woman who appears determined and relatively sure of herself. But two consecutive failures (real or imagined) lead her to believe that she has a real problem: she is useless in bed. Because she is more fragile than she appears, Emma hence decides to become... the best lay in Paris! She then sets out on a formidable plan of action (theory, practical, validation of acquired knowledge), which soon provokes a series of misunderstandings and disasters within her immediate vicinity. For one thing, her method doesn't turn out to be really adapted to her field of investigation. And Emma has probably also forgotten a little detail: love doesn't obey any plan. In this absurd and nutty quest, Emma will learn to let go, to lose control, and, to finally win her freedom.

In a charming mixture of fantasy and reality, this film recalls the great musicals of Hollywood's Golden Age. Yves Montand, playing himself, returns to his hometown of Marseilles to appear in an autobiographical musical. Once there, he searches for the barmaid he once loved and also encounters young hopeful Marion, giving her the chance of a lifetime

Desperate to break free from the poverty of his homeland, Elias boards a ramshackle people-smuggling trawler to France. But when the boat is raided by police, Elias leaps into the ocean, eventually finding himself washed up on a Mediterranean beach resort called Eden. So begins Elias odyssesy across Western Europe to Paris, where wondrous promise, helpful new friends and perilous dangers await him every step of the way.