Litto Nebbia

Taking into account the recovered cultural heritage, INAMU made a short documentary on the history of the company in the development of argentine music in the period 1950-1990, the stoppage of the catalog for 23 years and its subsequent recovery. The National Institute of Music (INAMU) recovered the historic record catalog that belonged to Sicamericana, a public limited company that operated commercially under the names Music Hall, Sazam and / or TK. This catalog, which has more than 1,500 national records, was paralyzed within a bankruptcy judicial process since 1993. As of that year, and until today, the records were unable to be reissued, also preventing them from being generated. financial resources for its interpreters, despite the fact that they were the ones who made those recordings.

1964. At the peak of beatlemania, the television entrepreneur Alejandro Romay announces the visit of the British band to the newborn Channel 9. From here, a succession of strange events revives through the voice of its participants and unpublished archives. Through an unexplored and hilarious history, the multiple colors of a decade are present.

Tribute documentary on the relationship between music and image in the cinema, as a constitutive part of it, with great musical moments in Argentine films together with the words of those who compose and direct.

Aided by archival footage and interviews with its key figures, this documentary delves into the history of Argentine rock music from its origins up to the mid-1990s.

Concert film documenting the foundational stage of the Argentine 'rock nacional' movement. It was filmed during the third edition of the historic B.A. Rock rock festival, which took place in 1972 at the Argentinos Juniors stadium.

Argentinian movie about the 1968's beat band "La Joven Guardia" and their effort to get success in hard sociopolitical times.

Evita, quien quiera oír que oiga

Almendra, La joven guardia, Palito Ortega, Donald, Litto Nebbia all together in this little musical short.

La redada

Prima Rock is an Argentine documentary film filmed in Eastmancolor directed by Osvaldo Andéchaga on his own script written in collaboration with Mauricio Belek that premiered on December 2, 1982. Partial documentary of the Prima Rock festival, which took place in Ezeiza on September 20 and 21, 1981.

Buenos Aires Rock is a film from Argentina filmed in Eastmancolor directed by Héctor Olivera on his own script written in collaboration with Daniel Ripoll that premiered on January 20, 1983 and had the participation of important interpreters of Argentine rock.