Lois Smith

Topeka, Kansas, USA

Biography

Lois Arlene Smith (née Humbert; born November 3, 1930) is an American actress. She made her film debut in the 1955 drama film East of Eden, and later played supporting roles in a number of movies, including Five Easy Pieces (1970), Resurrection (1980), Fatal Attraction (1987), Fried Green Tomatoes (1991), How to Make an American Quilt (1995), Dead Man Walking, Twister (1996), Minority Report (2002), The Nice Guys (2016) and Lady Bird (2017). In 2017, Smith received critical acclaim for her leading performance in the science-fiction drama film Marjorie Prime, for which she was nominated for an Independent Spirit Awards, Gotham Awards and Saturn Award, and well as won Satellite Award. Smith also has had many roles on television, both daytime and prime time. She was regular cast member in the HBO horror drama True Blood, and well as received Critics' Choice Television Award for Best Guest Performer in a Drama Series nomination for The Americans. Smith also is known for her extensive work in the theatre, receiving two Tony Award nominations for originating the role of Ma Joad in The Grapes of Wrath (1990) and for the role of Halie in a revival of Buried Child in 1996. She also starred in an acclaimed Off-Broadway revival of The Trip to Bountiful in 2005 for which she received an Obie Award for Best Actress, an Outer Critics Circle Award, a Lucille Lortel Award, and a Drama Desk Award. Smith is an ensemble member of Steppenwolf Theatre Company in Chicago. Description above from the Wikipedia article Lois Smith, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955