Elena Laskavaya

The main character is a cute ambitious girl Rita from a provincial town on the Black Sea coast. She decides to break out of the routine of doing local weddings and matinees and arrives to conquer the capital, trying to enroll in a drama school. She is waiting for a lot of difficult tests, which sometimes turn into very funny stories.

Lyuba Solovyova becomes a witness to the accident, after which Pavel, unfamiliar to her, also Solovyov, ends up in intensive care. In the hands of Luba is his son Shura. Lyuba comes to the hospital, where she is mistaken for Paul’s wife. Unable to abandon a child who does not have a mother, and his father is in a coma, the woman decides to wait for Shura's grandmother to arrive from Germany, and for now, she assumes the role of wife and takes care of Pavel. Perhaps there are personal reasons for this: the whole situation unfolds against the backdrop of a break with her husband Sergei, who is sure that no one needs Lyuba, which means that you can behave with her as you like. And it is important for her to feel necessary - even if it is for an occasional person.

This is a remarkably subtle film–a character study that focuses on Mitya’s attempts to cope with each new startling phase of discovery. At first he mourns for his dead wife, but then he discovers that he didn’t really know her.

A young German woman is searching for the man she loves in northern Russia.

Victoria, a former operative, is getting used to a normal life with her beloved husband, a psychologist. But after being attacked by a criminal in the service, she cannot have children. The couple decide to take six-year-old Dasha, whose parents died in a fire, to their place for the weekend. And then strange events begin to happen in their country house. The girl behaves secretly and sometimes aggressively, draws scary pictures and spoils toys. In her drawings, Vika guesses the victims of that same criminal, now she is absolutely sure: the villain is alive, and he is somewhere nearby.

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