Mark "Barney" Greenway

Grindcore is the worlds fastest most aggressively intense music. Fusing the anarchistic and leftist attitudes of the UK Punk scene with the speed and drunken aggression of American Death Metal, Grindcore continues to challenge and offend most listeners.

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

In a career that has spanned 20 years (and counting), Paradise Lost have sold a staggering two million albums worldwide. Their constant reinvention and brazen attitude to musical experimentation has always allowed them to maintain a constant relevance despite the myriad fads and short-lived scenes that have emerged over the last two decades. Indeed few bands that prove so very influential in their infancy maintain the quality of output that Paradise Lost have. They formed the basis of an entirely new genre, gothic metal. Even now, fifteen years later, the influence of Paradise Lost is clearly visible on most Gothic and Heavy Metal bands. Since then the band - named after John Milton's epic 1667 poem - have released a number of musical highlights and genre merging masterpieces.