村岡久美子

While filming the Olympics, a filmmaker encounters a Japanese girl. Manchurian born and French educated, she's an intriguing anomaly. He films her around Tokyo, as she speaks of Japan, being Japanese and her unique perspective on life.

In Tokyo, a man named Johnnie Walker—a Jewish Japanese citizen—stages street provocations with his Irish wolfhound, seeking recognition in a society that marginalizes him. Meanwhile, the filmmaker traces the legacy of Kumiko Muraoka, muse of Chris Marker’s The Koumiko Mystery (1964), from Tokyo to Paris. Blending biography, fiction, and essay, the film explores identity, narration, and the politics of cuteness in a world shaped by memory, power, and performance.

Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive