Jan Kolařík

Men in Rut

Petr is a courier, a messenger as a matter of fact. He is one of those young men who believe that on their bikes they have become part and parcel of the atmosphere of modern cities. He is a non-conformist who refuses to settle into today‘s deformed society, he abhors its indolence, consumerism and lies, as well as its pseudo-truths, pseudo-feelings, pseudo-loves and pseudo-values. Petr’s untrammelled personality keeps causing more and more serious problems. And Petr is also one of those who will never admit to themselves that they might be at the end of their tether.

Domina

Definice lásky

Třetí sudička

A strange nobleman returning after years abroad to a small Bohemian village in the beginning of 19th century. The nobleman feels closer to animals despite looking like a human.

Telling the story of Archimedes, one of thousands of refugees who left Greece for Czechoslovakia at the end of the 1940s, as the Greek civil war meant many communist fighters sought refuge in communist countries. Told through the eyes of Archimedes’ grown-up nephew Aris, who recalls how his uncle's life changed when he escaped from Greece to Czechoslovakia with the naive dream of a rosy future under a socialist regime. But all was not as it seemed.

Passionate Emma and impulsive but introverted Tomáš fall in love. They are like two missing puzzle pieces coming together. But Emma's pornographic past inevitably catches up with them.

Joachim Barrande – ztracená moře

Old guilt, forgiveness and a new love. After 20 years in the French Foreign Legion, Martin returns to his Czech hometown. As soon as he arrives, he learns that his mother has died in his absence. Martin realizes that while in the military he learned to survive in any dangerous situation, but not how to cope with the complexities of human emotions and relationships. When he meets the deputy mayor's clever daughter Sara, he falls passionately in love and happiness seems to be within reach. But then his past catches up with him ...

Moravský Manchester

Maria Theresa’s Dark Side

Dostoevsky’s latter-day opus about the siblings and their father is among the masterpieces of world literature. It asks profound questions about ethics and religion. Is there a God? Does the devil exist? Is everything allowed because we live in a world without morality? And if so, does patricide even constitute a crime? One of the most interesting adaptations of the material is The Karamazovs by Czech director Petr Zelenka. We witness a group of thesps from Prague on a trip to Krakow in Poland to stage the novel as a play in a derelict steelworks as part of the Closer to Life Festival. The project, however, is born under the bad sign, apparently doomed from the start. When they arrive, the roof is about to cave in, so that the actors are told to wear safety helmets. Their sole consistent audience is a laborer (Andrzej Mastalerz) who rather follows each dress rehearsal than watching over his seven-year-old son who has suffered a tragic accident in the factory.

Vysoká hra

Boží mlýny

Chlap

Dobré ráno, Brno!