Kenneth Cheung Moon-Yuen

Kei is the experienced leader of a team of pickpockets — also known as "Sparrows" in HK slang. He enjoys a carefree lifestyle taking photos. One day a dashing beauty, Chun-Lei, suddenly appears in Kei's viewfinder. Kei is mesmerized. But behind Chun-Lei's attractive facade lies a mysterious past and a mission to set herself free.

A criminal, a bank clerk and a police officer find their destinies entwined when a loan shark gets assaulted after having withdrawn $10 million from the bank in the midst of the world financial crisis.

Lok has been suffering from mental disorder for many years. Because of the misunderstanding and discrimination of others, he chooses to keep his illness in secret.

Lok is a recovering schizophrenic who yearns for love. One day, he encounters the young and beautiful Yan and quickly falls in love with her. The pair develops a relationship that is beyond their wildest dreams.

A fisherman, a banker and an actress are involved in a love triangle in the middle of the ocean.

The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity

A story on how a policeman faces a mistake he made 20 years ago when investigating a crime-of-passion murder case.

Five shorts reveal a fictional Hong Kong in 2025, depicting a dystopian city where residents and activists face crackdowns under iron-fisted rule.

On the eve of Qingming Festival, the son returned to the place he once lived and greeted his mother who he hasn't seen for a long time. Several vague memories of his father surfaced from nowhere. The intertwined relationship of the three weaved the long night silently.

A group of residents in an apartment block attempt to smuggle a body out of their building to prevent their properties dropping in value.

To big brother Dai, nothing is more satisfying than dining with his two younger half-siblings. But when his old flame shows up as his brother's girlfriend, kitchen nightmare strikes and it's up to his part-time girlfriend to simmer down the situation.

The relationship between a middle-aged man and the elderly woman, who has been the family's helper for sixty years.

Room

'...is unsuitable for any man's love.' (Xi Xi, A Woman Like Me) Sum-yin patches up wounds, masks scars and performs other beautician services that, when done well - as she always does - bring comfort to her and appreciation from grateful families. But inside she's hurting. Her job as a mortuary cosmetologist makes her self-conscious about the smell of death that seems to be seeping through and under her skin and looming over her stagnant relationship with Kwan, her oblivious boyfriend. No amount of cigarettes and perfume and cleaning will rid of it. At some point, a decision has to be made.

Features three short films– Killing Me Softly, No Way Out and Memento Mori – revealing the most terrifying and ugly side of human nature. The final chapter of Tales From The Occult is unpredictable, where life and death are just a thought away.

Follows a police tactical unit during one dangerous night on the streets of Hong Kong as they try to recover a cop's stolen gun. Things turn deadly when they run into a web of gangland crimes.

After a disastrous failure to stop a robber gang, the police attempt to redeem themselves through a series of publicity stunts and shootouts.

Chan Shi Kyun (cast by Richie Jen) and Yu Chi Lun (cast by Ekin Cheng) have been long time good friends. They recklessly bought a dishwashing factory on the cheap but discover that the business is in a financial ruin and has no employees while existing contracts must be honored at the risk of financial penalty. To solve their problem, they decided to hire through a social worker so they will be eligible "special social enterprise" government subsidy in this crowd-pleasing comedy.

An operation in Thailand against a notorious drug lord changes the destiny of a Hong Kong Police Department narcotic team. Five years later, a drug dealing brings them together again.

A cop, a lawyer, and an assassin cross paths after the murder of a federal witness and the kidnapping of a famous pop star.

When her “midnight gymnasium” program for wayward teens is under the threat of being defunded, social worker Yanki puts together a dodgeball team to save it. With the help of an unemployed, has-been star jock as the coach, the motley crew of teen girls learn that dodging from their problems can work temporarily, but they must learn to eventually stand back up and overcome their challenges.

Following the lives of five teenagers as they try to go through life while trying to avoid their own family backgrounds.

Ling-Kit HO is just like one of many other students in Tin Shui Wai. However, he is a lot more hard-working than all the others as he wants to get away from this besieged city. Apart from his study, he is indifferent to everything because he comes from a defunct family. Having to take care of his mentally-ill mother, Ling Kit is also forced to face his Dad – a heavy drunker and a heavy gambler. His younger brother Chun-Kit has left the family for years. At that time, Chun-Kit was heavily bullied by his classmates in school and he was always beaten by his drunken father. Being the elder brother, however, Ling-Kit did not protect Chun-Kit from being beaten so Chun-Kit left in great panic.

Two off-the-wall detectives go in search for a killer, while vying for the affections of a young woman.

Lantern Street represented a nickname for abandonment. Under the shadow of the neon lights, you would come face to face with those living on the streets, sleeping without any shelters. They were loners coming from all walks of lives. Here, the time clock seemed to freeze, and people were trapped here from the outside world. One day, Tung was inspired with the idea that football games could be a good opportunity to seek out the “Lost Sheep Away From Home”. Even though Tung was an amateur to football, and there was no substantial support, he determined to pioneer a football team, like a “light” to shine upon Lantern Street’s homeless souls. Tung took up the challenge and recruited the homeless folks to form the football team, which was truly an extraordinary team. Hoping that they would venture out of Hong Kong, they bravely took up the challenge to enter the tournament of the World Cup.

Ann Hui's darkly realistic Night and Fog starts at the end of the story: a man murders his wife and, based on statements by unreliable witnesses, the film goes on to investigate how things could have got this far and what kind of man was able to kill his family.

1978, the 17-year-old Yan Huan (Karel Wong) sneaked into Hong Kong from Haifeng County, China. In order to provide a better life for his family, he cut corners and chose to become a fierce robber and commit offences repeatedly. With an AK-47 in his hands, it made him become the most notorious and wanted criminal in the 90s. He thought he was in full control of everything, but the reality is that, God, the only Lord of the Universe, was silently keeping him under close surveillance

Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)

A fractured family of four brothers and one sister confront haunting memories of their mother’s passing fifteen years ago. Fifteen years had passed, as Nicole (Summer Chan) returns home to Hong Kong to be reunited with her three brothers, clinging to the shattered memory from the night of her mother’s passing. Through hypnosis sessions with her big brother Joseph (Simon Yam), the trauma that the family sustained is unexpectedly reawakened when she desires to connect back with the memories. Then, the whole world around this family takes on a dark form and love becomes almost undefinable.

Just out of jail, Fai finds a spot on a street corner where other homeless people welcome him. But he doesn’t get much time to settle in. The police soon chase them away, and their possessions disappear into a garbage truck. Young social worker Ms Ho thinks it’s time to fight this in court. In the meantime, Fai and his friends have other concerns.

The key to solving the toughest homicides lies somewhere in the final hours of a victim's life. In each one-hour episode, determined investigators must piece together events during this critical window to reconstruct the timeline, unlock the motive, and ultimately close in on the killer.