Gísli Rúnar Jónsson

Magnús is a 45-year-old lawyer, whose routine is upset by the personal news that he is suffering from cancer. This causes Magnús to stop and think about himself, his life and his family. If his life is going to end sooner than he expected, he wants to know how much it's been worth to him. Has life been worth living? Is it worth fighting for; is it worth a struggle against death? He takes a look at his family, a group of ordinary people, who are the colourful heroes of everyday life, struggling along in a world far removed from the world of high finance, power politics and international intrigues, but yet to them their lives are lives of high adventure. Those adventures, from the sublime to the ridiculous, form the storyline of the film, told against the background of Magnús' dilemma.

A French man from an international record company is sent to Iceland where he is supposed to find the next big hit.

The actress is to produce a play with the local amateur group and old romantic flames are rekindled. At the same time an American army unit is making experiments with a new and powerful energy source in the vicinity, promising the community a prosperous future.

The Icelandic Shock-Station is a thoroughbred Icelandic comedy, where the Icelander's daily life and habits are elevated to the level of farcical confusion and where all the laws of common sense are reversed in travesty of themselves, while at the same time the opportunity is taken to satirize some of the features the scriptwriter feels are blemish on the otherwise smooth facade of the nation's character.

Stella and Salomon run a business together, framkoma.is. Salomon is hired by Anton Skúlason, pilot, to beautify and transform a village, that he owns. Stella stays in the town and starts teaching politicians how to act for the coming elections. By accident Stella gets involved with the Centrum party, the main rival of the Central party, and before she knows it she's head over heals in politics.