Sara Boutine

“Farah,” a bread seller, walks the streets of a Middle Eastern town, while an American military vehicle, surrounded by soldiers, slowly passes by. A moment’s silence. Then, a devastating explosion. Civilians are bloodied, wounded. The horrors of war. “Farah” looks around aghast and wailing. But nothing here is quite what it seems. In fact, “Farah” is a character played by an aspiring actress called Laila. And this isn’t Iraq, but a replica village erected on the Fort Irwin army base in California, used to train American troops before being sent abroad. Laila believes her acting talents are being wasted away in this arid simulation, where female role-players are limited to mute, background roles. She takes things much more seriously. Laila plots her way out.

Everyone has secrets and Olivia Pope has dedicated her life to protecting and defending the public images of the elite by keeping those secrets under wraps. Pope and her team are at the top of their game when it comes to getting the job done for their clients, but it becomes apparent that these "gladiators in suits," who specialize in fixing the lives of other people, have trouble fixing those closest at hand -- their own.