Aldona Janušauskaitė

Story about teenage love in sanatorium. Leta, a girl with a heart disease, and Saulius, a new boy in sanatorium, fall in love with each other, but doctors try to forbid young people feelings.

A little boy and a story teller look into the microscope to find out that the world in a drop of a water looks like a real world, so they dive into it and meet different personalities, miracles and events.

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It is highly probable that before their own death, everyone has to organise someone else’s funeral. This is by far not an easy task. In addition to the searing grief, dying also brings a number of tasks that are at once utterly alien and intensely time-critical. The main character of this film, Dovile, who unexpectedly has to bury her father, has to face the bedlam of exactly such a challenge. Overnight, the young girl has to become a skilful organiser of a family event, while also being a specialist on coffins, urns, wreaths and funeral feasts. Dovile’s journey towards organising a perfect funeral is inevitably full of hardship and mishaps, accompanied mainly by black humour and comical situations.

Robertas sees a drunk, cute woman standing too close to upcoming bus and pulls her back. Robertas develops a deep sense of responsibility for her which enables him to tolerate the girl's abuses.

The film tells about the life of the Lithuanian landed nobility in the period between the two wars, about the desire to live their old life. But new times dictate new conditions, new values ​​emerge, and loyalty to old ideals is doomed...

Based on a Lithuanian writer’s novel “Breathing Into Marble” the film focuses on the challenges of a modern family. It is a romantic ballad with the plot of a thriller. Izabele and Liudas – itellectuals living in a homestead near a big city and raising the son, Gailius, who has a case of epilepsy and is smarter than most children his age. Izabele convinces her husband to adopt a six-year-old boy who is unable to put down roots in this new family and always fights for mother’s attention. Director Giedrė Beinoriūtė speaks about relationships, invisible bonds connecting our lives and responsibility for each other.

Lithuanian version of Neil Simon's play. A suddenly-unemployed company executive suffers a nervous breakdown, and his supporting wife tries everything to console him and pick up the slack.

Vito-Vilūnas' activities in Moscow and interwar Lithuania, the fight against the Nazis and his death in 1942.

The fraud of officials, the thirst for money and a good life, their immorality is compared with the decency of the intelligentsia, intrigue and fear of losing everything when power changes; comical situations are created, but it seems that you don’t have to believe that something will change, because the office of an official changes decent people too....

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