Lucien Dorval

"Les jeux sont faits," is a fantasy film based on a screenplay by French existentialist philosopher Jean-Paul Sartre. A society heiress and a resistance fighter are tragically killed at the same moment and meet in the afterlife. They are offered a second chance at life if they can prove their love is real or be doomed to roam the earth as ghosts.

After attending to a suicidal young man, Dr Richard learns that his wife has been unfaithful for years. This comes as a shock after 10 years of supposedly happy marriage. Back home, he demands answers from Madeleine. A long night of explanations ensues.

Georges Gauthier is an electrician who lives with his mother and his sister Madeleine. He is the son of a womanizing singer who made his mother miserable. For all that, Georges is attracted to show business all the more as he falls in love with Jeanne, the daughter of singer Lormel. Georges is spotted by Cartier, the manager of the Folies Concert and makes his debut as a singer under the assumed name of Jean Papillon.

Antoine Mouret, an authoritarian restaurateur, is the head of a large family where, for reasons of interest, people only marry cousins. But some have other plans, Marcus especially when he meets a passing circus girl.

Summoned by his mother to plead, a very young lawyer has a trio of pathetic criminals acquitted. The daughter of one of them reveals to the lawyer that the three accomplices hoped to find food and board in prison. For the beautiful eyes of the young girl, Master of La Bastide attaches the three rogues to his service. Disasters, confusion, clumsiness follow one another until the planned wedding.

Betrayed by his wife, a teacher proceeds to have an affair with a young and pretty student. The two women both find themselves expecting a child. The girl dies during childbirth. In a spirit of revenge and to keep his real son, the scorned husband exchanges the babies.

Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.

"Le Tambourin", a Montmartre nightclub, is on its way down. Although it can boast great performances by the alluring Les Bluebell Girls and by Jacques Hélian's lively Big Band the venue does not attract people anymore. Nightclub patrons now prefer the jazz cellars of Saint-Germain-des-Prés. Taking this new taste into account, the staff of the "Tambourin" and Jacques Hélian decide to set up their own club, "La Pivoine Ecarlate". They are joined by Pâquerette, a flower vendor and amateur singer, and by Jean-Pierre Francis, an existentialist poet...

How Robert, who does not manage to impose himself in the representation, sees his life turned upside down when he begins a career as a street vendor, which, thanks to his resourcefulness, turns out to be more and more brilliant.