Marion Hänsel

"Palaver" tells us the day of three Congolese students (Albert, Victor and Marcel) who visit Bruges for a tour of the city, and end up on the beaches of Ostend. During their trip, they cross a beautiful blond on the arm of an equally superb African.

The personal and professional story, told in first person, of Spanish actress Carmen Maura, director Pedro Almodóvar's first muse and a brilliant artist in her own right.

Berthe, a pretty young woman, has suffered from a mental disease since she was a child. A doctor has tried for years to understand her behavior and to teach her some basic notions such as those of time and emotional expression. But he also tends to use her as a guinea-pig and does not oppose her parents when they decide to marry her as a way to solve her problems. Unfortunately the cure proves worse than the disease as Berthe's husband, who soon tires of her, abandons her and leaves her more helpless than ever... —Guy Bellinger

On the basis of conversations with Hänsel and some of her permanent crew members, a remarkable portrait is created of a filmmaker who is also her own producer, i.e. boss. The relationship between characters and their natural environment plays a major role in her work that is often based on novels.

In this story of friendship and reproductive rights, 14 years in the relationship between two very dissimilar women are chronicled. Pauline is a middle-class city girl, at odds with her very conventional family. Suzanne is several years older, a country girl with two illegitimate children and another (whom she cannot support) on the way. Pauline loans Suzanne money for an abortion. At this point, the two separate and communicate mainly through postcards. Some years later, they meet at an abortion rally, and they have many adventures and stories to share with one another.

A woman, hospitalized for a relatively long period, observes what surrounds her. She has time to dream, to revisit certain moments of her life. These memories, like small bubbles begin with her birth in Marseille in 1949 and bring us to Antwerp, Paris, New York, England… to end in Flanders in 2015, after she gets out of the hospital. There Was A Little Ship is a filmic-biographical essay, sincere and poetic.

Marion Hänsel was cast for this story of a man's job interview for an important position in a company that doesn't go the way he expected.

Martin, a sculptor, is dying in his bed on a barge that floats along a fog-shrouded waterway. As he agonizingly descends into a final oblivion, his second wife is at his bedside, comforted by his first wife -- also present.

La Filière