Miquel García Borda

A priest and his father investigate the disappearance of a cardinal who has damning information about the Vatican.

"14 d'abril. Macià contra Companys "is a television drama, allegedly recorded in 1932, but with the methods, style and own means 2010. With this temporary license, the stars of one of the episodes of the Catalan capital twentieth century discussed the facts, in first person, while a nosy camera helps us to relive what happened in Barcelona between 14 and 17 April 1931, the three-day duration of the Catalan Republic. All with the aim of showing the greatness and the precariousness of a gesture, half improvised by Companys key sovereigntist corrected by Macià, and that led to a shouting match.

In this poetic story, set in the late 1950s, the life of a small boy is influenced by historical events, ranging from the exploration of space to the Algerian War. His father is drafted and the boy’s cozy home changes into the cold walls of a barracks flat. His central focus becomes the world of child fantasy and imagination. The director has made an attempt at capturing the thoughts, dreams and anxieties of one child, which sets out on a journey to the centre of the Earth, while the adult hero remembering his childhood sets out on a journey to the centre of himself. The rhythm of the story flows just like a nocturne, a lyrical musical piece expressing a night mood. The director’s ambition was not to create a realistic film, but to try to transpose a child’s fantasies into images.

Alfonso and Anna have long since lost the passion of their marriage. She is a lover, who also plays the lead role in the play of the village. Alfons, by accident, poisons lovers and their ghosts will appear after death. Together we will make sure that the play can be released and Alfons their actor. And regarding the opening of the play, and the assistance provided by the Anna Alfons learn to look at life from a more relaxed view.

A thief expert with blowtorch is hired by a group of the Russian mob for a bank assault.

San Bernardo

Salamanca, Spain, 1936. In the early days of the military rebellion that began the Spanish Civil War (1936-39), writer Miguel de Unamuno supports the uprising in the hope that the prevailing political chaos will end. But when the confrontation becomes bloody, Unamuno must question his initial position.

Louise loved Adam. Adam loved Louise. That is how it used to be. But a child has disappeared. Their child. The police said it was a drowning accident. Yet the truth is that their little boy’s body was never found. Lucas, ten years old. How easy it all would have been if the ocean had taken the trouble to throw up a little-swollen child’s corpse onto the beach. Or if a local with alcohol in his blood and blood on his hands had ploughed him down at full speed. An indescribable pain. No more living, no more happiness, but at least no unanswered questions. Unfortunately, that is not how it is for Adam and Louise.

A Spanish theatre company is rehearsing Shakespeare in the original style using young men to play the women's roles. Complicating their endeavors is the previously straight director's infatuation the new young man whose charming everyone except the slightly older young man who he's replacing. When the young man on the way out decides to settle the score with the young man on the way up, he draws on what he's learned in the theatre. Enter Iago.

Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia becomes pregnant, Jose Luis promises her that he will marry her, most likely against the wishes of his parents. Jose Luis' mother is determined to break her son's engagement to a girl from a lower-class family, and hires Raul, a potential underwear model and would-be bullfighter to seduce Sylvia.

The defiant leader Moses rises up against the Egyptian Pharaoh Ramses, setting 400,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.

Located in Madrid's Plaza del Sol, Km. 0 is the point from which all distances in Spain are measured from the capital. In Km. 0, it is also the meeting point for a gallery of characters. Bored, affluent housewife Marga meets up with gigolo Miguel, who co-habitates with gay Benjamin. Sergio, a soon-to-be-married office clerk who can't wait to lose his virginity, makes the acquaintance of prostitute Tatiana, while gay dancer Bruno meets Maximo. Meanwhile, wannabe director Pedro arranges to meet up with Silvia, an actress who wants to work in musicals directed by Gerardo, and bartender Mario is caught between Amor, who wants to marry him, and her little sister Roma, who is truly in love with him.

Shadow of the Wolf

El cor de la ciutat is a TVC television soap opera first broadcast on TV3 on 11 September 2000 and last broadcast on 23 December 2009. The show is the most watched fiction program in Catalonia, Spain, especially among female audiences, drawing around 28-33% of the audience with as much as 40% during season finales. El cor de la ciutat follows the lives of the people who live and work in the neighbourhood of Sants and Sant Andreu in Barcelona, Catalonia, Spain.

To carry out the biggest heist in history, a mysterious man called The Professor recruits a band of eight robbers who have a single characteristic: none of them has anything to lose. Five months of seclusion - memorizing every step, every detail, every probability - culminate in eleven days locked up in the National Coinage and Stamp Factory of Spain, surrounded by police forces and with dozens of hostages in their power, to find out whether their suicide wager will lead to everything or nothing.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.