Leslie Andrews

Izzy is raising her younger brother, Kevin, by herself. Their parents are deceased and her older brother, Rusty, is away in the Marines. When Izzy learns that her little brother is being bullied at school, she does what any unstable, psychopathic, homicidal sister would do.

Annabelle is the wise-beyond-her-years newcomer to an exclusive Catholic girls school. Having been expelled from her first two schools she's bound to stir some trouble. Sparks fly though when sexual chemistry appears between her and the Head of her dorm and English teacher, Simone Bradley. Annabelle pursues her relentlessly and until the end the older woman manages to avoid the law.

A group of horror fans are found scared to death in front of a drive-in movie screen. Whatever they saw, also bled into their screens on their mobile devices. We go back 24 hours to follow two of the characters from this group. Lola and Carrie go on a road trip to attend this Halloween screening event. It's being held at an old disused drive-in movie theater. They also research the past reports about the drive-in. It's haunted! People died in front of the screen in the 70s. This event is the 40th anniversary of the deaths. Despite this fact, nothing will stop Lola and Carrie from attending. They want to see what is on the screen.

In this short film, Sarah and Matt have a 'unique' relationship. But when they throw a Halloween party, things take a turn for the worse.

Documentary about actress Leslie Andrews and her hobby creating crime scene style photos of herself.

What happens after the world ends? This show explores the aftermath of infidelity on a gay couple in Silver Lake, CA.

Echo is a member of a highly illegal and underground group of individuals whose personalities have been wiped clean so they can be imprinted with any number of new personas. Confined between missions to a secret facility known as the Dollhouse, the "Actives" are hired by the wealthy, powerful and connected to wholly become—with mind, personality and physiology—whomever the client wants or needs them to be. They know no other life than the specific engagements they are in at that time—or do they?