Dionísio Azevedo

Zé is a very poor man whose most prized possession is his donkey. When his donkey falls terminally ill, Zé makes a promise to Saint Bárbara: If his donkey recovers, he will carry a cross - like Jesus - all the way from his city to Saint Bárbara's church, in the state capital. Upon the recovery of his donkey, Zé leaves on his journey. He makes it to the church, but the priest refuses to accept the cross once he discovers the context of Zé's promise.

'Bruce' goes to head with bandits who are terrorising and murdering villagers.

Hillbilly has one single dream in life: eat beef. He finds a little maid who's anxious to marry, and promises him: in their wedding party, her father would kill an ox.

The story of how D. Pedro I proclaimed the Brazilian independence on September 7th, 1822, and rose from prince of Portugal to first emperor of Brazil.

A Pequena Órfã

Fuscão Preto

During the rehearsals of a play four actresses are poisoned.

The story of how a quarrel between families set poor farmer Virgulino Ferreira da Silva on the path to become Lampião, the greatest leader of the cangaceiros - bandits who roamed the Northeast of Brazil until the late 1930s.

A pastor and a priest compete for the religious leadership of the population of a small town. When the pastor tries to prevent his sister's involvement with the sacristan, he accidentally starts the rumor that the church houses a miraculous statue of St. Francis.

An wealthy Italian immigrant from São Paulo, watches closely the suitors of his daughter Fiametta, whose two previous husbands "suffered accidents" because they did not bear good children. She can only get pregnant of someone who, like her, bears the blood of the rare K factor.

Based on true events, the film tells the story of Brazilian outlaw Promessinha, one of the most famous and feared criminals of his time, depicting his crimes and cruelty, until his death confronting the police.

A small town in Brazil is the background for this thriller about a murder, disclosing corruption among the leaders of the region.

Corisco, o Diabo Loiro

Two stories chronicle the days of the bohemian, libertine youth of 1960s Rio de Janeiro.

The life and death of Colonel Orestes, a decadent coffee farmer, spanning three generations between despair, hallucinations, and the help of three different wives. The city, the synthesis of modernization, definitively buries the oligarch making buildings on the ground that had previously made the character's prestige.

A film that records the rehearsals of a Brazilian theatre troupe directed by Victor Garcia, and then the conflicts that break out as they tour Iran and France with a performance of Calderon's autos sacramentales. A problem with a scenery prop sparks a crisis in the group and the film chronicles this disaster.

Meant principally for a sympathetic audience, whether Catholic or not, this routine story about a priest's receiving the call to the cloth may be a bit slow and theatrical for some viewers. Directed by Lima Barreto, the tale is told in a series of flashbacks as the priest remembers how he was transformed as a child into a person willing to give his life in service of the church and his God. Barreto also scripted the story, which in the end, may be too filled with religious platitudes and preachy overtones to effectively convey its message.

Set in Brazil, this drama is based on a short story by Oscar Wilde about a fisherman who meets and falls in love with a mermaid, giving up his soul in the process.

O Dia em Que o Santo Pecou

"Jaws" spoof. The title means "Cod". A terrible monster threatens the beach season: the cod from Guinea. To catch the fish, local authorities count on the expertise of a Portuguese oceanographer, a fearless fisherman and baits made with Amália Rodrigues's records.

O Menino Arco-Íris

Eternidade

The life of Fernão Dias, a 17th century Brazilian frontiersman known as "the Emerald Hunter".

Docudrama on labor mobilizations in the beginning of the 20th century in Brazil, led by union organizations with anarcho-socialist influence. Using fictional resources and historical archives, the film reconstructs an important part of the memory of Brazilian unionism and its biggest strikes, establishing a dialogue between different working generations.

This epic Brazilian film was based on the equally epic novel by Antonio Callado. Set between 1954 and 1964, the film's focus is the saga of Jesuit priest Nando. Fed up with civilization, he ventures deep into Amazon country to live with and work among the Xingu Indians.

Quase no Céu

A 1976 crime film

Champagne

Quem Ama Não Mata

Pai Herói

Meu Destino É Pecar

Sua Vida Me Pertence was the first in a tradition of telenovelas in Brazil. Broadcast by TV Tupi in São Paulo in black and white in 1951, it pioneered the genre worldwide, and featured Brazil's first on-screen kiss.

O Astro

Ambição