Otto Sander

Hanover, Germany

Biography

Otto Sander (born 30 June 1941 in Hanover) is a German film, theater, and voice actor. Sander grew up in Kassel, where he graduated in 1961 from the Friedrichgymnasium. After leaving school he spent his military service as a navy reserve officer and then studied theatre science, history of art and philosophy. In 1965 he made his acting debut at the Düsseldorfer chamber plays. After his first film work in the same year he abandoned his studies in 1967, and went to Munich to become a full-time actor. He is married to the actress Monika Hansen and is stepfather to the actors Ben Becker and Meret Becker. His career is closely connected with the Schaubühne theatre in Berlin under the direction of Peter Stein. Because of his warm, strong voice, which earned him the sobriquet "The Voice" (the English term is used), he has been used frequently as narrator for television documentaries, and numerous talking books in the 1990s. In 1990, he was a member of the Jury at the 40th Berlin International Film Festival.[1] Among his best-known film roles are the angel Cassiel in Wings of Desire and its sequel Faraway, So Close! by Wim Wenders, and a shell-shocked U-boat commander, Kapitänleutnant Philipp Thomsen, in Wolfgang Petersen's Das Boot. Sander also appeared in Comedian Harmonists, a biopic about the musical group of the same name. He has two brothers, the lawyer Adolf Sander, the scientist Christian (Chris) Sander, and a sister, the book dealer Marianne Sander. He also played a professor in the movie: The Promise about the division of Berlin by the wall. Description above from the Wikipedia article Otto Sander, licensed under CC-BY-SA, full list of contributors on Wikipedia.    

Movies

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.

More info
Polizeiruf 110
1971

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.

More info
Polizeiruf 110
1971

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.

More info
Polizeiruf 110
1971