Debleena Sen

Strange incidents occur in the heart of Shonajhuri forest in rural Bengal which develops an ominous character of its own that allures and finally engulfs the protagonists.

Ten women, from different parts of the world, with tragic and abusive pasts.

Recalling memories of a friend who committed suicide, three lovers slowly slide into an anguish labyrinth of desire, loss and longing. They entangle in a colliding maze of forsaken loves, failed expectations and imperfect anticipations. A disintegrating web arises in which love exists, but as dispassionate yearning. Here affection is an indifferent desire that burns the soul to death.

With the assistance of a psychiatrist, an acclaimed filmmaker struggles to come to terms with a mysterious romantic trauma.

A story of a night between an aged and a young woman who happens to be his ex finance. But how can that be true? The discussion becomes trustworthy while the woman complains for leaving her alone many years back but the arrogance of the man never acknowledge his mistakes rather he starts getting back all of his unfulfilled dreams that were left sometime. Next day another incident take place which reveals the crazy game between the two.

Rohit, a Gujarati, studies the life of Anthony Firengee, and in the process meets with a mysterious man Kushawl Hajra.

Three separate stories of loss,grief and loneliness interconnected through a fish.It explores the lives and relationships of 5 characters and their suffering!

In a parallel universe in our own space-time continuum, humanity has been overrun by artificial intelligence. The machines are better, faster and more efficient at everything, outstripping their makers. However, one aspect of humanity escapes them: love. Their guidebook attempts to capture the phenomenon in 64 terms, including jealousy, regret and ardour. Posing in homey and romantic settings, they run through the entire spectrum with digital precision, yet without a hint of passion. Director Ashish Avikunthak outlines a worrying, yet confusing impression of a posthuman future in which technology has overtaken and annexed humanity. He presents the new masters of the universe as 2.0 versions of the Hindu pantheon. Yet while Hanuman, Shiva and Kali sometimes reveal all too human traits, this is definitely not the case when it comes to love. Loves dies out with humanity.

In confrontational conversations with his wife and his lover, a middle-aged Indian policeman opens up about his work as a 'sacrificial assistant', a state-designated agent tasked with extra-judicial killings of Muslim men. Elsewhere in the city, Lord Krishna and the prince Arjuna enact a dialogue from the Bhagavad Gita. Paralysed into inaction during battle by human considerations, Arjuna seeks the counsel of Krishna, who instructs him on the moral duty of a warrior.

Privacy is needed by all, but can all enter the private zone? Hoichoi presents “Do Not Disturb” narrating six stories happening at six rooms. Will you check in?