Guido Brignone

The making of patriotic films was not rare among FAI productions, and Il bacio della gloria is one example, together with Armi e amori (1913) and Per la Patria! (1915). In this Speech from the Throne, which opened the 14th Legislature, the King of Italy stressed and underscored with his words the period recalling the story of the glorious conquering of Libya, sending warm greetings to the courageous men who fought, and to the heroes who fell, for the loftiness of their country. In a response worthy of these august words, immediately thereafter Pathé released this patriotic film which tells one of the many stories of courage which bring glory to the Italian flag.

In respect to other FAI films, it contains quite an innovative scene, in which the loan shark is on a train, looking out the window, made with a sort of “track after” shot. The camera was fixed on the outside of the train, and when the train started going, the camera filmed the moving landscape. Much of the footage was shot in exteriors. There are numerous views of Rome, including one of Castel Sant’Angelo, while several scenes are set on the beach, probably on the coast of Lazio. The film was hailed by critics. “An exciting film: there are some beautiful scenes. The actors deserve heartfelt congratulations and praise.” (Lazzaro, “La Cine-Fono”, Naples, 4/4/1914)

A captain is passionate gambler, but loses and when he does not see another resort, he "borrows" from the regiment box. The money he plays up, but meets without his brother's knowledge with his sister who gives him his pearl necklace. He pawns it so he can put the money back into the regiment box.

Odette

One of the early Pathécolor silent films

He is a brave and gallant young lieutenant of the Italian army at a time when his country is on the eve of war with Turkey. He becomes infatuated with a country girl of intense love nature and splendid womanhood, one lacking knowledge of the world and experience in life. When her feeble insight into character and motive is pitted against his superior intelligence and that long practice in the craft of heartbreaking that enables a handsome gentleman in uniform to practice a form of enchantment with such women, the result is easily foreseen.

The film tells the story of prince Pietro di Veio who, after becoming a film actor, falls in love with his screen partner Alice, who is unfaithful to him.