Mike Pohjola

Haunted by childhood traumas, Veera is trying to become more independent through live-action role-playing. As she guides herself and her mentally challenged brother through worlds of multiple roles and identities, witches and wizards, she finds the courage to face the demons of her own past and her abusive father’s legacy.

There's this hot ice-hockey guy called Lauri Mäntyvaara. Satu promises she'll do her best, so that her best friend Heidi will get him. You'd think that the picturesque Finnish Archipelago would be the perfect place to discover your first love (and get rid of your virginity), but it will not be easy, if a cynical protein-shake-slurping ice hockey team thinks the target of your desire should focus only on the European Championship, and the only places you can escape to are the pretentious summer wedding parties - or bitter divorce parties.

The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.