Jacques Fieschi

Fifteen-year-old Suzanne seeks refuge from a disintegrating family in a series of impulsive, promiscuous affairs. Her fulsome sexuality further ratchets up the suppressed passions of her narcissistic brother, insecure mother and brooding, authoritarian father.

Hong Kong action diva Maggie Cheung (playing herself) comes to France when a past-his-prime director casts her in a remake of the silent classic Les Vampires. Clad in a rubber catsuit and unable to speak a word of French, Cheung finds herself adrift in the insanity of the film industry…

Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate.

A 55-minute film by director Xavier Giannoli that analyses 'À nos amours'. The film features former Cahiers du cinéma editorial director Jean-Michel Frodon, actors Jacques Fieschi and Sandrine Bonnaire, and other members of the cast

Thanks to a series of unpublished interviews, recorded shortly before his death, director Claude Sautet gives us a fascinating lesson in cinema. Through his thirteen films, he tells about his career and his work as a director.

Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate.

Why did Simenon, a novelist who contributed so much to the seventh art, like to say that he hated the cinema? Because he could never become a director? Because, claustrophobic, he was unable to lock himself in a projection room? Clearly, there is an affair between the writer and the cinema and Georges Simenon is the main protagonist. An investigation that is more than ever topical as Patrice Leconte has announced his plan to adapt an investigation by the famous Inspector Maigret.

Stage actress turned film actress and director, Nicole Garcia has worked with the greatest French directors. Mysterious, singular, elegant, she has become a major figure in French cinema, but in her forties, she wanted to tell her own stories. She took a big risk when she was being offered fewer roles as an actress and became a film director.

Le Hasard mène le Jeu

It's a tale of two shocks. 1992, Les Nuits fauves hits theaters. 1993, Cyril Collard dies of AIDS. The artist and his film caused a scandal in 90s France, which suddenly realized the violence of the epidemic and the upheaval it would bring for its children... Collard's work still resonates today, through its depiction of the rage of life and sexual freedom, and the courage it takes to face up to the inevitability of the virus. This documentary is supported by powerful archive footage, allowing us to rediscover the destiny of a striking artist. It is also based on the testimonies of those who knew him and agreed to talk about who he was, the driving forces behind his rebellion and his way of creating. The film is also punctuated by readings from some of the thousands of letters sent to Cyril Collard, revealing what it was about his work that struck a chord with viewers, especially younger ones.