Enrique Gimeno

The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.

Fede is depressed and firmly convinced he has no interest in social life. He meets Iván, and old acquaintance from his childhood who is also kind of blue, and he insists they should provide each other company because even though their lives may seem unremarkable, they can still anticipate plenty of unexpected plot twists in the future.

When darkness falls, temperatures rise in these six stories about late night confessions, intimacy for sale, high speed hookups and full moon frissons. But when the sun comes up and reality reveals itself, will it have all been worth it? The short films are: Thirst (2018); According to Mateo [Según Mateo] (2017); Hardcore (2016); Beast [Séptimo] (2011); Petit Ami (2017); Skai Blue (2017).

Mateo and his boyfriend, Marc, arrive home after a night out with Luke, a guy they've just met. After an argument, Mateo leaves the flat and bumps into Jon, a drug dealer they have called. Mateo convinces Jon to take him to his house where he discovers he can't feel anything if it's not through pain.

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