A blacksmith and a car mechanic, harboring a hostile relationship they inherited from their grandfathers, must come to terms with a new way of dealing with each other, when the blacksmith faces economic struggle and the mechanic offers to buy him out.
A disillusioned forty-something wanders through a city and his past, rejected by every ideology he once believed in. Neither love nor theory can fill the void—so he stages his own theatrical death.
Δυο Φεγγάρια τον Αύγουστο
In Gibellina, in deep Sicily, the sumptuous staging, by Yannis Kokkos, of Oresteïa by Iannis Xenakis, after Aeschylus.
