Zi'en Cui

Xiao Bo arrives in Beijing, gets a job at a boutique, and is invited to stay with his lady boss, Ah Qing, and her husband, Kang. Knowing that Xiao Bo is still single, his host tries to introduce him to her best friend, Ah Meng. After a few dates, Ah Meng begins to suspect Xiao Bo is gay. She tells Ah Qing, who then informs her husband Kang. After learning this, Kang attempts to rape Xiao Bo when his wife isn't at home. Xiao Bo leaves the house, quits his job and joins his old friend, Chong Chong, and realizes that he has a gay lover, Gui Gui. Some time later, Ah Qing confesses to Kang that she had an affair with Ah Meng.

Shanghai was once called the "Paris of the East," but changes come with time and social tumult. Now, amid crumbling buildings, crushing poverty and social decay, filmmaker Andrew Cheng captures a city fallen victim to moral and economic decline. Through a collection of vignettes involving male prostitutes, aging hookers and other sex-trade workers, Cheng reveals the sordid heart of a once glittering metropolis.

Xiao Bo lives in a world where the lines defining men from women are constantly dissolving. He kneels at the deathbed of his father who has become a woman, and whose dying wish is to have oral sex with his/her son. His boyfriend Nana has also undergone a sex change, but Xiao Bo no longer finds her attractive as a woman. A sexual chain reaction ensues that wreaks havoc on traditional Chinese roles that govern male and female, parent and child.

A young man wandering naked along a seemingly endless country road claims that he's an alien. So do the three other young men (also naked) who join him. These 'aliens' eventually find their route blocked—by five macho toughs, who see in them both potential ransom money and potential illicit pleasures.

A film about Chinese underground filmmakers who were the first to express their truthful and realistic views on China from 1989 until today. It is also the first film to speak about the Chinese homosexual film scene. The documentary features Chinese intellectuals and directors such as Cui Zi’en, Jia Zhangke, Ju An Qi, Li Yu, Liu Bingjian, Liu Hao, Wang Xiaoshuai, Zhang Yuan.

A voyage through modern day Beijing in the taxi of the womanising Dezi. His aimless drifting between destinations and women is much like Beijing's own search for identity between perishing ancient values and an uncertain future.