Walter Jakob

An aging, Argentine, Serge Gainsbourg wannabe struggles to deal with a career he can't seem to get on track, an affair he doesn't want, and a crime he didn't mean to commit.

With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help them locate her. However, the story is bigger and stranger than they could imagine.

Luciano works in birthday parties and writes his first feature when friend Manuel returns from Spain to repeat his TV show, "The Paranoids", together with his girl Sofia. Manuel is everything he is not and him trying to be helpful in his career and with women, only worsens the conflict.

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

Bill 79

While working alongside his long-time friend and colleague in building a hospital for the residents of a Buenos Aries shantytown, a troubled priest finds solace in a young, atheist social worker.

Eliana, a teacher who is going through a psychological crisis, leaves her house in search of human contact. Wandering through a distant and hostile city, she discovers a male prostitution ring that employs both young adults and minors. This service is regularly used by Marina O., a theater director who is controversial for her violence. Their obsession with these young males will unleash a chain of events with tragic consequences.

Sixteen-year-old Lola is studying for her resits when the possibility of a semester in Germany comes up. Lola wants to go, but her family, bogged down by her elder sister's psychiatric problems, don't want her to make the trip. The lack of stability and exhaustion in the ties with her family prompt Lola to go ahead with her idea and set out to find new experiences that make her see both herself and the circumstances that surround her with different eyes.

Loro, a sound recordist, meets Luciana, a dancer, and falls in love whit her. When she quits their ballet production and leaves, Loro looks for her in San Francisco, Argentina.

It’s winter holidays and fourteen-year-old Ana discovers that the metal plate she has in her arm from an accident she suffered as a child is now receiving a strange message in Morse code.

Feminism, Victoria Benedictsson, Leandro N. Alem, the Radical Party in Argentina, suicide, stunts, Edgar Allan Poe, the complicated relationship between low-budget films with a political aim and the film industry, Robert Louis Stevenson, fiction, facts, greed, gold treasures left by the Jesuits in Argentina, the 19th Century vs. the contemporary and the search for truth and wisdom are the background for this portrait of a clash between a Swedish artist and an Argentine film director.

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

La ronda

Ignacio has the same dream every night. This dream is destroying everything from the inside of his mind: his job, his romance, his personality, his world. Is it a vision, a sickness, or a simple whim?

Lenny Goldman is an awkward and lonely college student who gets carried away by the inertia of his surroundings. The idle time of summer threatens to exacerbate his vocational crisis.

El vestido

In Argentine mythology, the gaucho holds a significant cultural position. The gaucho descends from the union between the indigenous population and Iberian immigrants. Gauchos adopted the Indígenas’ approach to livestock farming and are always associated with horses and vast open plains. The drama occurs when the brother falls from a horse and can no longer be saved. Man and horse become one, for a short moment. Then he draws a knife and revenge violates the idyll: An eye for an eye, a man for a beast. Fire burns on the street, the gaucho mounts his horse and revenge runs its course. The mythical realm overflows into the realm of reality.

X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

The sad story of Andersen's little match girl; the fate of Balthazar, Bresson's donkey; the impossible love affair between a militant of the Red Army Faction and an Argentinean pianist; the adventures in Buenos Aires of Helmut Lachenmann, who is trying to stage an insane opera; the problems of Marie, Walter and their daughter, who are trying to survive on very little money…

Julio starts a new job at a small bookstore. Little prudent, he handles with both things as if he knew them from always. This will complicate his great project: to make an apocalyptic photo-roman.

Mónica did not make a client's payments of the office where she works. The missing 15K pesos not only commit her but also a colleague, who is the one who discovers the fault. It seems that is not the first time that this happens, but the colleague, despite his anger, kept silence and chose to believe her again: Mónica commits to replenish the sum of money the next morning.

This film, Diario de el Loro y el Cisne, is one of the results of this process of writing directly over the images and sounds. It is made entirely from discarded material from the film Loro y el Cisne. I'm not entirely sure of the result. The only thing I can say about it is that it's extremely sincere.

When the internet goes down and nobody's sure how to fix it, the office staff finds themselves lost with nothing to do.

Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.

Park Ranger Pablo Silva remakes his life in his new destination, a forgotten and troubled place that few want to go to, the Pereyra Iraola Park. Soon, under an apparent tranquility, he discovers a network of poachers, traffc and hoaxes. His old hunter instinct will arise. He can hide from everyone, except himself.

Roque Waterfall leads, at age 30, an unproductive life living off a small family inheritance that leaves him enough free time to wander around in the nights of Buenos Aires. One day he meets Hans, a German intellectual who will try to make a documentary about Roque and people like him, people who do nothing.

In the wake of a carnival parade the river washes a corpse onto the shore. A crime has been committed, a mystery blossoms to life, and the legend of mythical cursed diamond is tantalizingly revived.

A woman who comes to transform the city. Two friends now at odds forever. A man who invades apartments to film women from afar. A writer who plagiarizes books and a translator who discovers it. A UFO epidemic in an unbearable summer.

Escaping from his criminal baptism, Reynaldo Galíndez, called el Rey, breaks into the patio of the house where Carlos Vargas, a retired security guard, lives. Carlos proposes Reynaldo a deal: he will repair the damage caused and, in return, Carlos will not call the police.

Unable to land a job as an airline pilot, Leonardo takes a job as a fumigator pilot at a farm in the countryside. On his very first night, he discovers the town harbors a deadly secret that will put everyone in danger.

El público

Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.

Five sex-themed stories: Story 1: At night, while waiting at the central bus station of Retiro, a man meets an adolescent girl, Reneta at the bus station. They go to a cafe and begin a conversation about sex that will prove to be deeply disturbing. Story 2: Walter, an adolescent boy will discover a new interest in his sister's boyfriend, Platero while they are fooling around on their bunk bed. Story 3: Virginia and Pablo maintained a loving relationship for some years; she is still in love but he is not the man she met. Story 4: Gustavo, a 40-year-old Argentinean married to an American woman living in the USA longs for his sex life in Buenos Aires stimulated by photos of Argentinean teenagers on the Internet. Story 5: A well-built married office employee has sexual fantasies about the women working in his office.

Deep knowledge of a person can be overwhelming. Even in the most trivial situations it is possible to find peaks of tension that appear from the underground. Vidrios intends to explore the universe of interpersonal relationships through a series of scenes of isolated appearance, with anonymous characters that are constantly updated and dialogue with each other until they burst a moment in the absurd.

Pedro and Sol have just finished their last year of school and begin their vaca- tions. They dedicate their free time in summer to approach, little by little, tasks that perhaps one day will become their professions. Sol uses her piano lessons to review old musical recordings and prepares an exam for the music conservatory. Meanwhile, Pedro takes an interest in dramaturgy and starts a writing workshop without telling anyone. In these days shared with other young and adult people, Pedro and Sol watch. They are growing up, even without realizing it.

The investigation about an alleged international spy after the Nazi refugees in Argentina gives way to a plot that expands, becomes delirious and branches off. A mockumentary that has, at its center, an elusive woman whose trail can be traced in the most emphatic convulsions of the 20th century.

El médium

Ensayo para Güemes

In a parallel Argentina, factories are production spaces for various artistic activities whose income is regulated by a state commission. Jorge, the manager of one of them, seeks to impose a post-dramatic work in the theater area to lower costs and increase profits. However, the claim generates a conflict not only with its workers, but also with the modes of representation.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

The theatre as a courtroom, the courtroom as a theatre. Alejo Moguillansky’s film draws loosely on Raúl Quirós Molina’s El pan y la sal (The Bread and the Salt), a 2015 verbatim theatre piece compiled from the testimonies provided during the 2012 trial of Judge Baltasar Garzon, for investigating the forced disappearances of the Spanish Civil War and the Franco regime. Juxtaposing the testimonies of the relatives of those who lost loved ones with references to Argentina’s and Chile’s recent dictatorships, this film explores issues around international law and forced disappearance - tracing a line between Francisco Franco, Augusto Pinochet and Jorge Videla’s Military Junta: Garzón has investigated Argentine torturers and criminal perpetrators and had Pinochet arrested in London in 1998 for crimes against humanity.

In all the stories that Llinas presents to us here with his narrative flair, well-known from Extraordinary Stories, we see the same four actresses, but each time in different roles: Elisa Carricajo, Valeria Correa, Pilar Gamboa, Laura Paredes – we also see them grow and get older.

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