Horia Baciu

A cinema-verite approach to this mystery story about the death of a young girl in a village adds credence to the story itself, it is as though the audience were following along with a real investigation instead of simply watching a narrative unfold. An inspector and his police team arrive to find out why the young girl drowned -- under suspicious circumstances -- and start to work interviewing the villagers. Shown in close-up and individually on the screen, each witness contributes to a growing knowledge that the girl was sexually assaulted and beaten before she died, and the real mystery is why no one reacted to the horror. As the interviews continue, the inspector realizes it will not be easy to extract the whole truth from any of the guarded, close-mouthed villagers.

A bunch of comrades with ascending ranks from the same factory go on a illegal arranged hunting trip with a few intended 'romantic' mishaps.

It is late in the Ceausescu era in Romania, and Cristina is having a difficult time with her boyfriend. He wants her to have sex with him before he goes off to do his obligatory stint in the army. She wants him to marry her first. She also gets involved with a slightly rebellious actor, a would-be ladies' man. He has some vague plans to defect - could those be the reason he is receiving mysterious phone calls? Or are they the work of his anonymous admirer?