Nick Hart is a struggling American artist who lives amongst the expatriate community in 1920s Paris. He spends most of his time drinking and socializing in local café's and pestering gallery owner Libby Valentin to sell his paintings. He becomes involved in a plot by wealthy art patroness Nathalie de Ville to forge three paintings. This leads to several run-ins with American rubber magnate Bertram Stone, who happens to be married to Hart's ex-wife Rachel.
The story, in three stages, of a friendship between three guys. They have taken different paths, but find themselves equally faced with the failure of their lives. The parody is not exempt from what remains a fine analysis of behavior and environment. For these three Quebecers are, in a way, us, as we have been rendered by a society in search of itself.
The wife of photographer J.A. Martin decides to go with him in his tour of the hard Canadian countryside at the turn of the century. She hopes the intimacy will revive their marriage.
Chronicles a Mossad team hand picked to hunt down the terrorists involved in the 1972 Munich Olympic massacre of Israeli athletes.
Le dernier havre
Despite the fact that he is completely unrepentant about his crimes, when Regis Savoie's son asks to visit him, prison authorities grant permission for the boy to come. The thief and murderer (Gildor Roy) takes advantage of the moment of his son's arrival to steal a gun and take flight. He settles some old scores, gets together with his girlfriend, and heads for the hills, pursued by a detective who is not to be swayed in his efforts to follow and recapture him.
