Martin Petit-Guyot

Ben works in a morgue. Ben's wife left him and he is into various kinds of alternative sexuality. Teresa dies of an ecstasy overdose on the dance floor. When she is brought to the morgue, she is resurrected -how shall I say?- in Ben's arms (that part based on a true story). From this starting point, the film revolves around the interactions between them and Boris (orgy fan), Abdel (no sentimental life), Ducon (wants to kill himself), Nico (dying of AIDS), etc... A social study of the 90s with heavy references to sex and deat

After a group of Parisian youths pull off a deadly terrorist attack, they decide to shelter for a night in a shopping center.

In Saint Gilles, in the Brionnais, country of churches that invites serenity, the atmosphere becomes gradually agonizing, the past playing with the present. Antoine, a reporter and then a volunteer in the humanitarian field, returned to France after experiencing terrible events in Mali. He is at Saint Gilles to write an article on Romanesque Art. He meets Constance, the very attractive adoptive daughter of the owner of the inn, Mrs. Naudy. Constance also has its secret. She tries to discover the truth about the death of her parents Eva and Louis Lacassan, a truth that has been hidden from her for too long. And then there is Juju who says to see the ghost of Eva, the woman with the red hair. A track in Constance's investigation? Between Antoine and Constance, these two wounded beings, weave little by little a story that may help them to go to the end of their adventure.

Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.