Polina Agureyeva

A Russian journalist Sergey is hiding in one of the Balkan countries from police detectives who suspect him in a double murder.

After a young actress finds herself in a love triangle, she has to choose between a hapless writer and a successful playwright.

They saw each other only once. At a wedding with lots of alcohol. Their eyes met and that was it. They didn't understand rationally what happened to them but they felt that they cannot keep living and breathing without each other. Cosmic magnetism with irresistible intensity pulled them together. They no longer belonged to themselves, their families and friends and that's how a tragedy evolves.

Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.

An unscrupulous debt collector who is a prominent member of the Moscow elite has just a few hours to refute an accusation that might cost him his job and his life.

Woe From Wit

In the center of the plot children's writer Valentin Shubin, accustomed to live in seclusion. His books about the elephant Mishka, written in his youth, enjoyed great success both at home and abroad. A series of random events causes a new surge of interest in the personality and creativity of the writer-introvert. Adults and young readers waiting for new books, but Shubin them does not want to write.

Mark Ginzburg is a talented artist who is always depressed. He's 52, but personal and professional success has escaped him. Many years ago, Mark moved from his native Riga to Tel Aviv to get away from his oppressive father, Viktor, who still supports him financially. Victor Ginzburg is a famous conductor. His work is his life. He never cared about Mark's feelings and tried to mold his son in his own image. Their highs and lows turned long ago into a love-hate relationship. More hate than love. Father calls his son by his childhood nickname Birdie, which infuriates the son. Son calls his father Your Majesty, which infuriates the father. After Viktor is diagnosed with a fatal illness, the father and son set off on a difficult journey that leads from hate to love.

Once Anna gets an anonymous bouquet which turns her life around. But instead of love, she finds herself on a railway track.

Artyom is 15 years old. This is the same age when you are not an adult, but also not small. It was in this, the last summer of childhood, that everything fell on Artyom at once: the betrayal of his father, who remained abroad after the tour, first love, friendship forever and quarrel forever. Artyom has only a skateboard - this is how in the 80s in the USSR they called skate, which Soviet teenagers had just begun to learn about. Now Artyom needs only one thing: by all means to win in street competitions.

To ensure that the viewer guessed in the name of Ilfipetrov that Ilya Ilf and Yevgeny Petrov were separate, the authors collected an impressive evidence base: live testimonies were obtained in Moscow, Odessa, Yaroslavl, Paris, New York; in the exact repetition of the route of "One-storied America", in miraculously preserved family archives.

Ilya stutters a lot, and this interferes with everything - his personal life, communication with the child, work. In desperation, he enrolls in the course of the famous doctor Cherkasova, a guru in his field, whom patients consider a magician and wizard. There he meets new friends and a new love - a young girl Vera. But it turns out that Cherkasova herself likes Ilya, and she intends to win him over.

In a nostalgic Moscow of 1976, an unlucky actor meets a charismatic writer, a living classic of Soviet literature, who turns his life into a tragicomic farce with the artistic bohemia, foreign-currency prostitutes, the KGB staff and agents of the CIA.

The relationship between the spouses Vika and Max has been cold for a long time, Max is not ready to lose Vika, so he is looking for different ways to return the former intimacy to the relationship with Vika. Max is even ready to have a child, but, unfortunately, he is infertile.

The author's monologue addressed to his little son Alyosha.

Liquidation is a highly popular Russian television series, which parallels the famous The Meeting Place Cannot Be Changed with notable ethical shift. In the "Meeting Place", chief of criminal investigations Gleb Zheglov had a modus operandi "Thief must go to prison, no matter how I put him there". In Liquidation, chief of criminal investigations David Gotsman's motto has changed to "Thief must go to prison, but lawfully so". The stars of the film include famous Russian actors such as Vladimir Mashkov and Konstantin Lavronenko. Sergei Makovetsky had to replace Andrey Krasko, who died of heart attack during the filming.

The plot takes place in 1942-1943, during the defense of Stalingrad. The Jew Viktor Strum is a talented nuclear physicist working in one of the country's institutes on the creation of an atomic bomb. At this time, Strum's relatives die in Nazi camps and NKVD dungeons, and persecution begins against him. The inventor can only be saved by his scientific brainchild, which Stalin himself became interested in. The state needs such a powerful weapon as an atomic bomb. The scientist has to make a choice: to remain faithful to science and work for the "leader of the nation" or to abandon his vocation and be destroyed.

Ланцет

In the past, Soviet prima ballerina and now world-renowned choreographer Ruta Myers returns to the country after almost 40 years to stage a performance at the country's main ballet theater. Ruta is forced to rebuild relationships with friends and enemies, who have become key people in the Russian ballet over the past time, but most importantly — with the artistic director of the theater Andrei Pronin and his family. They were once a couple, and now old feelings and old resentments flare up with renewed vigor. A lot of money, ambitions, and a career are at stake — Ruta, despite all her efforts, finds herself in the epicenter of passions and intrigues very far from the world of art.

The series is set in the 1920s. It tells about the first tasks of Isaev. First, he goes to Reval to stop the smuggling of valuables stolen from Gokhran. Upon his return, he is sent to Vladivostok to collect information about the actions of the whites. Then he has to go abroad to monitor counterrevolutionary emigration.

40-year-old Vika and Max, after 15 years of marriage, seem to have become one. In their ideal apartment with a designer renovation, only one thing is missing — a child. Everything changes on one fateful evening, when a friend Pasha, who returned from several years of living in Moscow, comes to visit the couple with a new friend Alice. After several glasses of wine, Max confesses to a friend that the couple wants to have a child, but he himself cannot have children, whereas Vika is completely healthy. Having learned the secret of new acquaintances, Alice, without thinking twice, offers Pasha to become a sperm donor and help out friends. This awkward offer should change their lives forever.

Kuprin (Yama, Vpotmakh, Poedinok)