Liisa Pöntinen

An intelligent thriller about how women claim their freedom in a cemetery named Sad Hill, known as the final scene of Sergio Leone’s iconic spaghetti western film The Good, The Bad and The Ugly (1966). Four artists are finishing a workshop in a palace in Northern Spain as they recall a strange incident that happened to two long-time married couples who got lost nearby years before. After a dream-like walk in the mountains, the couples, strangers to each other, arrived in a mythic burial place called Sad Hill, where they had to face the naked facts of their hollow marriages in a totally new psychological light. The wives started the same walking ballet as did Clint Eastwood, Lee van Cleef and Eli Wallach in Leone’s film. In a few minutes, the lives of the couples would change completely.

Winter 1975 - author Jeanette Aspen arrives at Lapinlahti Mental Hospital to meet her only child, psychiatrist Karin Aspen, 36 years after sending her daughter to Sweden as herself traveled to Southern Europe, at the start of the Winter War. The encounter triggers a drama between the mother and daughter, who are now total strangers to each other.

An architect about to begin her maternity leave starts to suspect that her replacement is trying to take over her grand design, and her life.