Mehdi Hajri

Nada is a young woman leading a double life. During the daytime she’s quiet and reserved, but after dark she dives into the nightlife of Tunis and picks up men. First, she lets them tell their stories – as she doesn’t speak, she acts as a kind of confidante – then beats the hell out of them. When a new colleague, Noura, arrives at her workplace and Nada finds a mythical knife at the home of one of her victims, events are unleashed over which Nada has less and less control.

In late 2013, Zina and Djo, both in their twenties, come back to Tunisia from the Syrian front where they were sequestrated and raped. Zina was separated from her two-month-old child and Djo finds out she's pregnant and plunges into mutism and expresses her Syrian horror only in the novel she is writing. Tunisian lawyer, Nadia and Dora, a humanitarian doctor, assist them in their hard and lengthy reconstruction; impeded by the violence of their close circles, the harsh view on the social networks and their angst. Nadia, also Driss' lawyer, a 21-year-old persecuted homosexual who's been banned from all school establishments, asks him to help Zina in the hopes that their stirring meeting will allow them to open their black boxes, to assume themselves and stand up to the unjust society.

A portrait of the Director’s maternal grandmother, Eliane, a French woman who lived her entire life in Tunisia. The film shows her last moments at home with her family before her passing due to Alzheimer's disease.