Miriam Hopkins

Savannah, Georgia, USA

Biography

Ellen Miriam Hopkins (October 18, 1902 – October 9, 1972) was an American actress known for her versatility. She signed with Paramount Pictures in 1930. She portrayed a pickpocket in Ernst Lubitsch's romantic comedy Trouble in Paradise, a bar singer named Ivy in Rouben Mamoulian's Dr. Jekyll and Mr. Hyde, and the titular character in the controversial drama The Story of Temple Drake. She received a nomination for the Academy Award for Best Actress for the 1935 film Becky Sharp, becoming the first performer nominated for a color picture. She was nominated for a Golden Globe for The Heiress. She co-starred with Joel McCrea in five films. Description above from the Wikipedia article Miriam Hopkins, licensed under CC-BY-SA, full list of contributors on Wikipedia

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955