Hsu-Wei Huang

In artist Su Hui-yu’s signature style, a moody slow-motion pan captures a wild, glitter-scattered, blood-splattered orgy during the Tang dynasty. The film is an invocation of scenes from 1985 Taiwanese cult film Tang Chao Chi Li that only existed in the screenplay, unfilmed until now due to what can only be imagined as budgetary restrictions and censorship pressures during the Martial Law era. Presented without narrative context, the orgiastic murder scene plays out like an unsettling nightmare.

Ah-Lun, who has a choice to make in the underworld, decides to be a god of love in Chinese mythology. As he advances with his tasks on Earth, his biggest challenge is to tie a red string with the woman he loves the most.

A student from a modest home goes to an elite private school and makes a life-altering agreement with a talking peacock in the schoolyard.

Filial Piety Award embodies the paradox of filial piety by absurdly depicting a boy who takes part in the competition of "the most considerate student." This film does not presuppose a position nor provide any value judgment. Filial piety is within our heart, and, with no regret, we will become children of filial piety for our parent.

Adapted from the novel by author Wu Hsiao-Le, the series consists of five independent stories about parenting, as well as children's pressures of growing up, when faced with the tragic consequences of social pressure, parental oppression and family dysfunction. Each story is told in two parts in this ten-part series.

Weng Wen-fang (Hsieh Ying-hsuan) came from a political family. She joined the Justice Party as the deputy director and spokesperson of the Publicity Department, after failing to be re-elected as a member of the Council. She led the publicity team in realizing their goals, but not without facing many challenges to their faith and values.