Waldo Franco

Tommy (20), works as a builder in the house of Saulo (50), a composer. Tommy feels attracted to Saulo and seeks any pretext to get close to him. Nevertheless, there is no contact between the two men beyond the exchange of sounds, words and glances. One morning, Tommy arrives at the house and and finds Saulo dead. Tommy agrees to dress the corpse in order to touch the body at least this once.

Stela, a young Brazilian actress, decides to make a work on the letters exchanged between Latin American plastic artists in the 70s and 80s. She travels to Cuba, Mexico, Argentina and Chile looking for her works and testimonies about the reality they lived during the dictatorships that most of these countries faced at the time. In the midst of the investigation, Stela discovers the existence of Ana, a young Brazilian artist who was part of this world, but disappeared. Ana went from southern Brazil, from a small town in the interior to Buenos Aires. Obsessed by the character, Stela decides to find her and find out what happened to her.

Havana 2027: A 38-year-old man, after 10 years of sentence, leaves prison. Sad for the death of his girlfriend, he arrives in the city determined to end his life. A clown, Mofo, host of a TV show, makes him an offer to die in a great way.

The transformist artist Juan Moreno, to put it another way, a gypsy from Sacromonte, is struggling at an extraordinary vital crossroads. He had always hated Federico García Lorca for his stereotypical view of gypsies, but he has had a strange dream that revolves around his poem Son de Negros en Cuba. From this experience he begins to feel inexplicably identified with the poet's work… So much so that he ends up acquiring a new and explosive personality: that of Juana la Lorca. With this nom de guerre, he will embark on a path of no return full of incidents, but also of shocking revelations that will shed light on the life and death of Federico García Lorca. With this singular and irreverent work, Valeriano López humorously vindicates the homosexual dimension of the most rebellious Federico García Lorca, at the same time he makes a ruthless satire of Lorca's clichés and of the "industry" built on the poet's legacy.

Idania and Luis receive the news that their son has murdered another boy while on guard duty in the unit where he is doing his military service. The parents’ relationship will be in crisis, based on each one’s vision of their child.

Strange things are afoot at the opera as Angel, a countertenor, and his twin brother prepare for an audition that will change their lives.